It’s been a long time since I’ve seen such a pure lust-filled scene from a domestic fantasy drama.
On a full moon night, in a ruined temple.
In order to cure the cold poison, Liang Jiangzhu (played by Zhao Qing), a jade waist slave who was looking for Yulang on a full moon night, accidentally planted the poison into the brow of Shen Miu (played by Zheng Yecheng), the king of Yan who was chasing him.
From then on, as long as Jiang Zhu snaps his fingers, Shen Miu will suffer from the lovesickness poison and can't help himself.
Don’t believe it? The sound of finger snapping was heard, and Shen Miu couldn't control himself for a moment, rubbing his hair with the enchanting crimson eared man in red and looking at each other ambiguously.
In an instant, Shen Mi felt hot all over his body, but the cold poison in Jiangzhu broke out and the cold air dissipated.
The next second, Shen Mi's sweat dripped on Liang Jiangzhu's shoulders. The clouds and rain fell, the cold poison was broken, and the lovesickness was relieved.
And the bond between the two was planted.
I was also surprised when I saw this: Has the scale of costume fantasy Chinese dramas evolved to this level?
Abandoning the long foreshadowing of a long drama, the show starts with a strong dose of drugs, and the plot is both crazy and exciting. I thought it was a dinner drama, but it turned out to be a drama.
The fairy version of "Mr. and Mrs. Smith"? It seems it's not that simple.
The peak of the micro-short drama market in 2026 will come earlier than in previous years.
Throughout the Spring Festival, although there were many excellent long-form dramas, there were almost none that could be called blockbuster dramas. In the movie market, there is only one hit, "Flying Life 3", and "The Man" is a surprise.
On the contrary, the short drama market has a unique scene. "Grandma 4" set a new record when it was released, continuing the pattern of short dramas becoming popular during the Spring Festival since "I Was a Stepmother in the 1980s".
And the trend of screen short dramas during this year’s Spring Festival has not stopped yet.
Just at noon today, the "Nian Nian Wu Ming" team took action. The 24-episode costume fantasy Chinese drama "Planting Red Beans on Your Eyebrows" led by Zheng Yecheng and Zhao Qing was launched on Mango TV.
The series was a hit right from the start, with 8 million views on the platform within 3 hours of its launch, not losing to long-running dramas at all.
I finished 6 episodes at the first time and found that the story settings are full: poison + conspiracy, the ambiguity between powerful ministers and seductresses is thoroughly played out in it, and it can be called a textbook of pure desire.
Let’s talk to you about the actors in the plot. How does a costume fantasy short drama plant red beans in the hearts of the audience?
1. Planting poisons, luring hooks, and killing traps, "Planting Red Beans on Your Eyebrows" firmly caught my attention at the beginning
Compared with long-form dramas, are costume fantasy micro-short dramas better to watch? Plot is the key.
The story of "Planting Red Beans on Your Eyebrows" begins with the love-hungry relationship between Jiang Zhu, the "jade-waisted slave" in a fantasy world, and Shen Mi, a powerful minister, and introduces three major fantasy elements.
Not only does it captivate the audience, but it also makes the atmosphere of fantasy and pure love so rich that it almost overflows the screen.
First: "Seed Gu".
The story begins with a seeding of poison.
The "jade-waist slave" was wronged due to a turmoil many years ago and became the prey of strangulation by the court.
King Shen Mi of Yan was ordered to pursue and kill him.
Any woman from the "Jade Waist Slave" tribe who suffers from cold bone disease must find a "Yulang" on the night of the full moon after she reaches adulthood, and absorb Yuanyang through dual cultivation in order to continue her life.
As a result, Liang Jiangzhu used the red thread to get Yu Lang, who happened to be Shen Miu who was ordered to hunt her down.
Shen Miu, who had just won a duel with Fan Bang, found that one of his generals was missing for no reason. He suspected that he had been abducted by the "Jade Waist Slaves", so he divided his troops into several groups, looking for people while looking for opportunities to eliminate the remaining "Jade Waist Slaves".
Just before the ruined temple, she met Jiang Zhu who was waiting for her Yu Lang.
Shen Miu originally wanted to capture Jiangzhu, but he didn't expect that he, who was invincible on the battlefield, would fall for this beautiful girl.
The full moon is approaching, and without Yulang to cure herself of the cold poison, Jiangzhu will be in danger of losing her life.
Time is tight and the task is heavy, so Jiang Zhu can only use the lovesickness poison planted on this cold-faced prince to detoxify himself, and thus the opening scene takes place.
Still want to pick up the knife? Hug it directly.
And as Liang Jiangzhu accidentally planted the poison in Shen Miao's brow, the two went from being hostile and alert at the beginning, to being forced to bind and coexist, to testing each other and redeeming each other in the whirlpool of power.
Destiny has been entangled ever since.
Second: lure hook.
At this time, Shen Miao was encountering a fire in the backyard.
Qin Zhaohua, a famous medical girl he is about to marry, has just moved into the palace to treat the disabled prince Shen Yuheng (played by Deng Xiaoci) who is in a wheelchair.
But the sickly prince became obsessed with this "royal sister-in-law".
After saying "Not only the emperor's uncle can marry you, but also me," he directly took the emperor's sister-in-law into his arms, which instantly heightened the tension of the plot.
But behind this forbidden love, there is not only a fight for love, but also a fight for power. '
Rather than temptation, this is more like a power conspiracy in which those who are willing take the bait.
Shen Yuheng, who is increasingly mad because of his physical disability, wants not just the emperor's wife, but the military power in the hands of the emperor's uncle Shen Mi, and even the life of the emperor's uncle Shen Mi who is dedicated to his recovery.
But at this time, Shen Mi himself gave Shen Yuheng the flaw that he wanted most: the Lovesickness Gu of the Jade Waist Slave.
Third: kill the game.
Under the undercurrent of the struggle for imperial power, the bond between Shen Miu and Liang Jiangzhu deepened, and the other party even put himself in danger, just to prevent him from being affected by the love poison.
But Shen Miao gradually lost control and became the person he once hated most, who was fascinated by the Acacia Gu.
At the same time, Shen Yuheng tried to seduce Shen Mi's fiancée to become his secret chess piece, and at the same time used Shen Mi's lovesickness poison to secretly plan and send the imperial army to the outside of Prince Yan's palace where the poison was taking effect.
Once Shen Miu is seen to be poisoned, he will surely die.
A killing spree is quietly approaching.
I have to say that "Planting Red Beans on Your Eyebrows" really brought the audience an immersive and exciting costume fantasy drama.
The male and female protagonists at the beginning bring the audience into the drama, and at the same time build up suspense, firmly attracting the audience's attention.
The so-called "Jade Waist Slave" murder case back then was simply an unjust case. Who caused this unjust case?
When Shen Miu is trapped by the Lovesickness Gu, Shen Yuheng's murderous situation is getting closer and closer. How can Shen Miu break the situation with Jiang Zhu's help?
How can Shen Miu uncover the conspiracy behind the unjust case of the "Jade Waist Slave" and vindicate the Jiangzhu clan?
Will the male and female protagonists, who are attracted to each other by the love charm, eventually fall in love and kill each other because of the fate of the tribe?
Entering the drama.
2. Perception: Refreshing, pure, and sweet, this costume fantasy micro-short drama made me addicted.
After watching 6 episodes, if you ask me what I think, I will describe it in 6 words: refreshing, pure desire, and sweet.
First, the story is refreshing.
Compared with long dramas, this drama obviously focuses on being short and concise, with a crisp rhythm and strong emotions.
The whole drama maintains a capable plot rhythm. It starts with the opening of the meeting between the male and female protagonists, and then it is not sloppy at all, and the subplot of the male and female villains is also rapidly advanced.
From the rising relationship between the male and female protagonists to the unjust case of the jade-waisted slave, the rhythm of the story does not give you any time to breathe. One conflict follows another, which seems refreshing enough.
Second, pure desire comes first.
Pure desire is not simple and crude on a large scale. But it is reflected in the details that are still lingering.
This is the opening scene of the play.
The heroine is enchanting in red and binds the hero with a lovesickness charm, and a dangerous and sweet confrontation begins.
The two started fighting each other with fists and kicks, and then "Jiang Zhu" attacked Shen Miu who had been poisoned step by step. The male protagonist tried to escape but was caught. In the blink of an eye, the two people's noses were touching.
But here the plot takes an unexpected and hilarious turn: Shen Miu, a powerful official with unparalleled martial arts skills, lacks relevant professional knowledge and is forced to make up for it on the spot.
In another seduction scene involving two men and two women, Shen Yuheng, the prince, and his wife-in-law looked at each other through the veil.
There was not a word of love between them, not a kiss, but the atmosphere was filled with tension.
Both sides go back and forth, their hearts are burning, and they are filled with a sense of restraint and taboo.
Each other has to suppress their love, but they can't stop it from growing wildly.
The yandere prince falls in love with the emperor's sister-in-law, who is not yet married to his uncle, which adds a sense of taboo to the relationship, making people unable to help but fall into it.
Third, fight against Lu Gaotian
Besides pure desire, there is also sweetness.
Today, love brain is no longer popular. It is not easy to create something new in a costume fantasy drama.
The approach of this drama is to treat love as a plot.
The male and female protagonists use the poison as a thread to fall in love and kill each other. The female protagonist casts the poison for the male protagonist. The male protagonist is resistant on the surface and cannot control it. However, as the two get closer, a massacre plot against the Jade Waist Slave puts the two people in love at the forefront.
The lovers fighting on the road, sweetness and abuse intertwined, become more and more exciting.
In dangerous encounters and repeated pushes and pulls.
The sadistic love between the two is like the red beans of the South, gently sweetening the hearts of the audience.
3. Actors such as Zheng Yecheng and Zhao Qing brought out the "charm" of the fantasy drama as soon as they appeared on the stage.
As a costume fantasy Chinese drama, the cast of "Growing Red Beans on Your Eyebrows" is not as gorgeous as the long-running dramas blessed by top-notch ancient puppets.
But every actor in the play performs online, which can keep the audience from being distracted.
What amazes me the most is the male and female protagonists in the drama. The "charm" of a costume fantasy drama comes out as soon as they appear.
For example, the heroine Zhao Qing. The best thing is the contrast.
In the past, from Mo Caihuan in "The Legend of Mortal Cultivating Immortality" to Wu Ren, the heroine's personal bodyguard in "The Strange Case of Tang Palace", Zhao Qing has played mostly innocent girls or sassy heroine-style characters.
In this play, she directly challenges the jade-waisted slave. She is dressed in red and sits sideways on a stone statue. She is as beautiful as jade and has enchanting long fingers. As the male protagonist describes it, she "looks like a beast and a demon". Her appearance alone amazes the audience.
Zhao Qing's performance for such a contrasting character is also online, performing different temperaments of the character in different plots.
When she first appeared, she looked cold and charming, with a hint of cuteness in her beauty.
Facing the male protagonist, she is agile and cunning, and has a bit of cuteness that teases the male protagonist.
But when her tribe was massacred, her face became covered with bloodstains, her skills were agile, and her aura was so powerful that people unconsciously felt suffocated.
Zhao Qing performed the role with multiple faces. No wonder netizens praised her for finding a suitable track. The pure and charming succubus is really charming.
Zheng Yecheng also interprets the contrast of the characters very well.
When he appears, he is a warrior on the battlefield who rides his horse, whips his whip, bends his bow and shoots on horseback.
After being poisoned, he became painful and struggling, but ultimately found it difficult to control himself.
When facing the heroine, he turns into a gentle "gold man" who talks about being a "monster" but actually places her firmly on the windowsill.
Particularly worth mentioning are Zheng Yecheng's fighting scenes. Although the several fighting scenes involving knife dancing, archery, and flying down from the sky are only glimpses, every frame appears powerful, smooth and beautiful.
What Zheng Yecheng lacks is always a good role that can fulfill him, and I hope it will be this time.
In addition, Shen Yuheng, played by Deng Xiaoci, the male protagonist of "Midnight Snow", and Qin Zhaohua played by Fu Dongnuan are equally wonderful.
A sickly prince plays a role that makes the series full of black epilepsy.
Another royal wife gives the series a sense of pure whiteness and taboo.
It is precisely because of the brilliance of these characters that this costume fantasy drama has more colors and highlights.
4. Actors from long dramas such as Zheng Yecheng and Zhao Qing have entered the game, and short dramas are about to be dark horses again.
Finally, I would like to talk about domestic micro-short dramas.
As we all know, with the decline of long-form dramas, short dramas have increasingly become the new main force in the Chinese drama market.
Moreover, as short dramas become more and more popular, the audience of short dramas do not only eat "coarse grains", but increasingly like fine grains that are refreshing and refined.
Therefore, in the past two years, we have also seen innovation and changes in short dramas.
"Summer Findela" cuts through with movie-level images.
A large number of beautiful images with symmetrical compositions pull together the love between the urban male and female protagonists.
"Nian Nian Wu Ming" can be called a costume version of Mr. and Mrs. Smith.
The strong plot, fast-paced narrative style and the emotional pull between the top female killer and the court commander all enhance the story's visibility and topicality.
And this "Planting Red Beans on Your Eyebrows" also opens up a new perspective: a beautiful succubus and an immediately powerful minister stage an anti-conventional fairy-tale romance of "lovesickness."
Although after six episodes, there are still short drama flaws such as blunt lines, excessive filters, and even overly ambiguous plots.
But the novel setting and world-class appearance still surprise the audience.
Especially the strong emotional pull between the male and female protagonists is even better than many ancient puppet dramas.
The most critical thing is the push and pull between the two.
The scenes of teasing each other were staged in turn, making the play enjoyable enough.
It is not like many ancient puppet dramas, which look very sweet, but are actually the kind of industrial saccharine that the audience has to be raped on the head.
As the number of long-form dramas is decreasing day by day, instead of filming some long-form ancient puppet dramas, it would be better to film some Chinese dramas with interesting plots and good productions.
The successive failures of major platforms such as CCTV and Mango TV also show that domestic micro-short dramas are still working hard to break through and develop in a good direction.
In fact, no matter whether it is a long play or a short play, what the audience wants to see is a fresh and good story – one that does not rely on gimmicks or topicality to gain popularity. Rather, it is a solid portrayal of the warmth between humans and monsters.
Although it is a fantasy romance drama, it still has to serve love in the end.
But he is able to develop his own style in a down-to-earth manner and capture pure desire that truly makes people's hearts beat.
Rather than being like many ancient puppet dramas, the leading actors seem to be forced to fall in love. There is no passion for love, only the stiffness of going to work after the Spring Festival.
That’s the victory of micro-short drama.
