According to news on March 17, the ASUS Fearless 16 notebook 2026 model is available for pre-order on JD.com. There are three models to choose from, equipped with different processors, priced from 4,199 yuan. Rich configurations, such as high refresh rate, large-capacity battery, etc.
The iterative development of the Internet and digital technology is like a war drum urging the public to demonstrate the possibility, richness, challenge, and speculation of Internet literature and art again and again. It also brings us a core question: Internet literature and art are a spiritual way for people to grasp the world. How should we recognize and grasp it? The author tries to make a superficial discussion from the perspective of artistic language.
Any art has its own special artistic language. Art is not only the physical presentation of aesthetics, but also the mediated presentation of artistic language. Literature, music, art, and dance are all the same. So, does online literature and art have its own unique artistic language? If not now, will it happen in the future?
It seems a bit premature to raise this issue now. Its premise is to assume that Internet literature and art has become an independent art category, but in fact, at present, both Internet literature and Internet audio-visuals are only "a rich totality" composed of various innovative types relying on the Internet as a medium, and their independence has not yet been fully, significantly, and clearly demonstrated.
However, according to McLuhan's theory, from print media to electronic media, and then to digital media, changes in the media environment and ecology have a profound impact on the renewal of aesthetic experience. The aesthetic methods and aesthetic activity characteristics formed by Internet thinking have increasingly appeared in various innovative types of online literature and art. Online movies are watched in slices, online dramas are watched at double speed, short videos are disseminated socially, and the reading experience of online literature is also very different from traditional reading. These increasingly normalized, universal, and popular phenomena make us feel that whether there is inherent uniqueness in the artistic language of online literature and art seems worthy of our serious consideration and objective answer.
The first thing that needs to be seen is that the development and evolution of artistic forms are deeply and closely connected with the underlying logic of the media. Media is an extension of human senses. In traditional art, the mediated presentation of its artistic language also manifests itself as the concentrated strengthening of certain human sensory functions in aesthetic experience. For example, music and radio drama are to the auditory sense, calligraphy and art are to the visual sense. Among traditional arts, stage is a relatively "comprehensive" art category, which includes literature, rap, instrumental music, performance and many other artistic elements to varying degrees. However, its comprehensiveness is limited to the time and space of the aesthetic scene and does not have the extended function of media. Only after entering the era of electronic media did "comprehensive art" break through the limitations of time and space. New comprehensive arts such as film and television also created a new artistic language after realizing the extension of media.
Digital media is a new iteration compared to electronic media. The Internet is not only the communication medium for all types of online literature and art, but Bit is also the physical medium for all types of online literature and art. In the world of bits, the extension of the Internet media to people's senses is no longer singular, but comprehensive, three-dimensional, and integrated. Artificial intelligence is regarded as an extension of the human nervous system. This kind of media extension integrates the real world and the virtual world and creates comprehensive interaction. It is a two-dimensional media immersion, rather than the one-dimensional media immersion of the virtual world created by movies and TV. Therefore, the degree of "comprehensiveness" and expression of online literature and art in art, compared with the comprehensive art produced in the era of electronic media such as traditional film and television, have completely new characteristics, occupy a new level of magnitude, and are showing increasingly clear aesthetic differences.
"Comprehensive art" will gradually shape its own unique artistic language as it matures, and will eventually be familiar and accepted by the public. For example, the artistic language of traditional opera is often unified by "program" in the industry. The artistic language of movies and TV is often referred to as "shot" or "montage". Can online literature and art become a new type of "comprehensive art"? In recent years, many experts and scholars have begun to discuss its aesthetic characteristics and artistic language issues. Based on the underlying logic of Internet media, they have successively proposed a series of discourse concepts such as "interactive immersion", "scene" and even "body" as the possibility of naming the aesthetic language of Internet literature and art. Of course, this discussion still needs to wait for the next development and practice of online literature and art to gradually become clear.
What also needs to be noted is that different media have different epistemological biases. Even if the stories of novels and movies are the same, they still convey to people two completely different artistic "reality" and aesthetic experiences. In his famous theory of media evolution, Levinson regarded the Internet media as a new technological stage that "reshapes reality." The Internet has re-corrected the sensory bias strengthened by previous media technologies and the "partial reality" lost thereby. While breaking the limitations of human physiology and realizing the extension of media, it has returned to the "complete reality" of full sensory experience. The accelerated application of virtual reality technology and artificial intelligence has brought us an extremely intuitive experience.
Today, in the process of imitating and copying people's perception and cognitive models, technology has moved from "mediatization" to "de-mediation", that is, the progress of media technology has reached a level where people cannot feel the existence of media. This will inevitably have a subtle impact on the development of artistic forms. For example, spoken language is the earliest medium born by human beings. Folk storytelling, rap and other arts that rely on spoken language have a strong on-the-spot nature in their initial stages. After the advancement of media caused oral expression to be replaced by written expression, sensory bias led to changes in aesthetic patterns. The reason why a large number of colloquial expressions have reappeared in online literature is not only because of the non-professional nature of the authors. The deeper reason may also be that the "de-mediation" of the Internet has brought people back to the "live" aesthetic experience mode.
Of course, the most typical manifestation of "de-mediation" at the moment is the superimposed application field of virtual reality technology and artificial intelligence. Corresponding to online literature and art, this field will bring new, full-sensory experience, more perceptual and intuitive aesthetic objects, as well as the expansion of the boundaries of artistic creativity under the model of human-machine co-creation and integration. The coexistence of virtual reality and real reality, and the continued evolution of the cooperation between artificial intelligence and humans, will further enhance the "comprehensive" and "de-mediation" characteristics of online literature and art, thus profoundly affecting the development trend of its artistic language.
The Marxist view of literature and art believes that literature and art are people’s grasp of the “artistic spirit” of the world, an intuitive and perceptual grasp. "De-mediation" provides more convenient conditions for this kind of intuitive and perceptual life experience, but in the final analysis, the "humanization" of media is still a higher stage of technology in the field of online literature and art to create people's aesthetic consciousness and accumulate aesthetic experience. Only people can master the world in a spiritual and aesthetic way, and only people. Therefore, the development of the artistic language of online literature and art is still based on the laws of human aesthetic spiritual activities and further deepens the aesthetic relationship between people and the world. It’s worth waiting and watching what kind of new “language” it will produce in the future.
(The author is a doctoral candidate in Media Arts at Communication University of China and deputy director of the Internet Literature and Art Communication Center of China Federation of Literary and Art Circles)
After living in Japan for five years, many people will come to an extremely pessimistic conclusion: this country has no future. However, this view often only sees the silence of the surface, but ignores the unfathomable resilience of the underlying layer. When we want to discuss a country's future, we cannot rely on intuition; we must see through its cold and hard-core data.
First of all, please put away your misconceptions about Japan’s “poverty”. Even after experiencing the so-called "lost thirty years", Japan's per capita nominal GDP still remains at US$35,000. If you include the huge income from overseas assets (GNP), this number is actually US$38,000. More importantly, Japan is an extremely "average" country, with the median annual income of ordinary people ranging from 150,000 to 200,000 yuan. Among all G7 countries, Japan's tax system does not encourage sudden wealth. It is more like a "socialist country" disguised as capitalism. Although this system has stifled the enthusiasm of a very small number of geniuses, it has built an extremely thick anti-risk cushion for the entire society.
Let’s talk about the automobile industry, which everyone loves to pessimize. Yes, the rise of China's electric vehicles is indeed unstoppable, but has Japan really lost? The profits of Toyota alone exceed the combined profits of all new energy vehicle manufacturers in China. In terms of stability and quality control of internal combustion engines, Japan still holds absolute hegemony. New energy is a big gamble, and Japan has chosen to bet long on hybrid, hydrogen and traditional energy. This kind of "conservatism" seemed outdated in the era of fanaticism, but when the energy crisis broke out, it became the most stable safe haven.
What is even more terrifying is Japan’s “invisible hegemony”. In the fields of semiconductor upstream materials, high-precision equipment and robots, Japan has already deeply embedded itself in the marrow of the global industrial chain. It does not seek to compete with the United States in terms of originality from 0 to 1, but in terms of ultimate craftsmanship from 1 to 100, it is the "gatekeeper" of the global industry. Looking at Japan's five major trading companies, they account for 20% of Japan's output value. In the past thirty years, they have used extremely cheap Japanese yen financing to harvest minerals, farmland and core assets around the world, recreating an "invisible Japan" overseas.
Of course, Japan's terminal illness lies not in external competition, but in its internal "rigid paradox." Its aging has penetrated deep into its bones, and more than 30,000 century-old companies are facing the dilemma of having no successors. Last year, hundreds of companies were forced to close down simply because they could not recruit workers. An extremely absurd logic emerges here: Japan's economy is desperate for foreign labor and global talent, but Japanese society is permeated by an extremely narrow-minded xenophobic sentiment. This tear between demand and cognition is Japan’s real fatal wound.
But we cannot conclude that Japan has no future. Japan is experiencing a "deep precipitation" similar to Thailand. Thailand seemed to be stagnant after the 1998 financial crisis, but it has developed world-class standards in the fields of cultural creativity, design and advertising. The same is true for Japan. It still has strong defense capabilities in terms of hardware support and cultural industry output in the AI era.
Therefore, Japan is not "dying", it is just transforming from an "expansionary empire" to a "defensive fortress." It has a profound heritage, a very high social lower limit, and an irreplaceable industrial status. Its future may no longer see turbulent growth, but it has more “dry food” reserves in the dark than most countries. Looking at the bottom of data and logic, Japan's current situation and structure tell us: you can laugh at its slowness, but you absolutely cannot underestimate its ability.
Thanks to the IT House netizen who is very homely and afraid of strangers for submitting clues!
IT House reported on March 17 that ASUS Fearless 16 notebook 2026 notebook has now opened new product reservations on JD.com, with optional Ryzen 7 8845H / Intel Core Ultra 9 285H processors, priced from 4,199 yuan.
IT Home attaches the details of each new product as follows:
Fearless 16 Ryzen Edition 2026 144Hz:
This notebook is equipped with AMD Ryzen 7 8845H second-generation AI processor, with 8-core 16-thread design, built-in Radeon 780M integrated display, body thickness of 15.9mm, weight of 1.65kg, performance release up to 45W, AI computing power up to 38TOPS, maximum acceleration frequency up to 5.1GHz, built-in 16GB LPDDR5X memory, 512GB PCIe 4.0 The solid-state drive uses dual M.2 slots and supports expansion up to 4TB.
In addition, the notebook is equipped with a 70Wh large-capacity battery, supports USB-C charging, has a full-size backlit keyboard, is equipped with a 16:10 144Hz high refresh screen, covers 100% sRGB color gamut, supports Windows Hello infrared face recognition login, and is priced at 4,199 yuan.
JD.com Asus Dreadnought 16 Ryzen Edition 4199 Yuan direct link to Dreadnought 16 Ryzen Edition 2026 2.5K 144Hz:
This notebook is also equipped with AMD Ryzen 7 8845H processor, 16GB of memory, 1TB PCIe 4.0 solid-state drive, dual M.2 slot design, 45W performance release, support for adjusting three-speed heat dissipation mode, all-metal body design, equipped with 2.5K 144Hz screen, covering 100% sRGB color gamut, maximum brightness of 400nit, and supports USB-C charging.
In addition, the machine is equipped with dual USB-A 3.2, dual USB-C 3.2 and HDMI 2.1 interfaces and a 3.5mm audio interface. It is equipped with a full-size backlit keyboard, a 7.1-inch Big Mac touch version, and is priced at 4,999 yuan.
JD.com ASUS Dreadnought 16 Ryzen Edition (standard pressure R7 16G 1T) 4999 yuan direct link to Dreadnought 16 second generation Core Ultra9:
This notebook is equipped with Intel Core Ultra 9 285H standard voltage processor, with a 16-core 16-thread design, a turbo frequency of up to 5.4GHz, an AI computing power of up to 99TOPS, a built-in 8Xe high-power core display, a built-in 16GB onboard memory that can be added up to 48GB, and a 1TB PCIe 4.0 solid-state drive.
In addition, the machine is equipped with a 2.5K 144Hz gaming-grade screen, covering 100% sRGB color gamut, with a maximum brightness of 400 nits. It has a new generation ergonomic keyboard, the direction keys are half-height design, and is equipped with a 6.1-inch large-size touch panel with a thickness of 1.69cm. It has two full-function USB-C, two USB-A and an HDMI interface. It is priced at 5,999 yuan.
JD ASUS Dreadnought 16 Second Generation Core Ultra9 5999 Yuan direct link
In 2025, the field of AI crawlers will usher in new changes. This article focuses on the best practices of AI crawlers in 2025, and provides an in-depth practical demonstration of how to use the three major tool combinations of Deepseek, Crawl4ai, and Playwright MCP to achieve efficient and intelligent crawler operations. From environment construction to code practice, to dynamic loading and data extraction, it fully demonstrates the charm and potential of AI crawlers, allowing you to easily master cutting-edge crawler technology.
Let’s do a practical exercise today: use Crawl4ai to make an AI crawler and see what it looks like.
Test your skills
First install it according to the official code:
#Install the package
pip install -U crawl4ai
# Run post-installation setup
crawl4ai-setup
#Verify your installation
crawl4ai-doctor
Finally, when you see the picture below, it proves that the installation and initialization were successful.
Next, let’s test the official example.
import asyncio
from crawl4ai import *
async def main:
async with AsyncWebCrawler as crawler:
result = await crawler.arun(
url=”https://www.nbcnews.com/business”,
print(result.markdown)
if __name__ == “__main__”:
asyncio.run(main)
The official test is a news website
Create a new py file, paste the code into it, and run it directly. The results show that it can indeed be crawled normally.
Extract form
The latest version of Crawl4ai has a new function: after crawling the tables on the website, parse them into pandas DataFrame format.
To put it simply, before we needed to manually clean and structure the downloaded data, then convert it into DataFrame format for analysis.
Now you can do it in one step.
Let's take a look at this official example for a virtual currency website. We need to crawl down the table in the picture below and convert it into a python table, which can be directly used for the next step of analysis.
But there is a problem here: the official example cannot be used, as shown in the picture, it is incomplete, all are red wavy lines, and an error will be reported when running directly. My coding ability is poor and I can’t change it. What should I do?
It's very simple, just let AI change it. Go directly to Cursor.
But then there is a new problem: because this is a new function of crawl4ai, some AI should not have learned.
At this time, you can use the context7MCP we introduced before to let the AI learn the latest documents by itself and then complete the code. Red and warm! Cursor writes random code again? Install Context7 MCP in 1 minute to enjoy real-time document retrieval service
Prompt words I use:
The file code is the official example of crawl4ai. The effect is to capture the website table data as shown in the picture and save it in pandas dataframe format. However, this code is incomplete. You need to use context7 mcp to find the latest crawl4ai document and complete the code to ensure that it can be used normally.
After the AI operates for a while, the code it gets can be run directly. We see that the form from the previous website has been successfully downloaded into DF.
It went quite smoothly. I opened Excel to see it more completely, and then I could use the data for analysis.
dynamic loading
Today's websites are rarely static. Most of them are dynamically loaded, which means they need to be scrolled continuously to load new content. It would be too troublesome to handle this process by yourself.
Fortunately, Crawl4ai has built-in javascript support. We can directly write a js code to load all the content in one scroll of the page. result = await crawler.arun( url="https://dynamic content site.com", js_code="window.scrollTo(0,
document.body.scrollHeight);", wait_for="document.querySelector('.loaded')")
OK, so far, we have run through the official crawler sample code provided by Crawl4ai. But AI has not been used yet.
You know, the reason why we use these frameworks is to let AI help us solve the problems in crawling.
So let’s take a look at how to use AI to make crawlers in Crawl4ai? Advanced: Dynamically load large models to crawl e-commerce reviews
The business scenario comes first. I chose a high-frequency scenario: crawling e-commerce product reviews. (The comment data that is subsequently crawled can also be subjected to text analysis to unearth information of commercial value)
The URL is:
https://www.amazon.com/PawSwing-AutoComb-Automatic-Surround-biomimetic/dp/B0DMSVNTC1
Scroll down to see the list of comments:
Utilizing playwright MCP initialization script
In the original Cursor window, let AI help us write the code first: Now you need to write a Crawl4ai script to grab the comments under this Amazon product: customer name, title, country, time, comment content, etc. You can use playwright mcp to check the website first, and then modify it.
I didn’t find it. I didn’t let AI write the code directly. Instead, I asked it to take a look at what the website looked like and then write the code.
Because the loading process, speed, and structure of each website are different, if you rush to write a general code, it may not work.
As for the introduction and installation of Playwright MCP, I have said it before. You can jump directly to this article to learn: Use Playwright MCP to let AI change the shit mountain code it wrote.
Having said that, we can already see the AI Called MCP tool automatically opening the Amazon website and `get_visible_html`, that is, taking a look.
The obtained code is as follows. It is very long overall. I have cut out some key parts, including suggestions, and put them in comments:
1. Define the data model for Amazon reviews
classAmazonReview(BaseModel):
customer_name:
review_title:
country_and_date:
review_body:
image_urls:
rating:
# 2. Use LLMConfig to configure the AI model
llm_config = LLMConfig(
provider=provider,
api_token=api_token,
base_url=base_url
# 3. Set the strategy for AI crawling data. The key is the prompt word.
strategy = LLMExtractionStrategy(
llm_config=llm_config,
schema=AmazonReview.model_json_schema,
extraction_type=”schema”,
instruction=f”””
Extract Amazon product review information from the provided HTML content.
Reviews are usually contained in a hook with the 'data-hook="review"' attribute
element.
Please extract the following information for each comment and construct it into a list of JSON objects:
1. `customer_name`: The name of the reviewer, usually within or near a span element with 'data-hook="genome-widget"'.
2. `review_title`: The title of the review, usually within a span or a element with 'data-hook="review-title"', which may be bold text.
3. `country_and_date`: The country and date of the review, usually within a span element with 'data-hook="review-date"', in a format similar to "Reviewed in on".
4. `review_body`: The body content of the review, usually within a span element with 'data-hook="review-body"'.
5. `image_urls`: List of image URLs uploaded by users in comments. Pictures are usually
tag, its parent element may have a 'review-image-tile' or similar class. Please extract
The 'src' attribute of the tag. If there are no images, this field is null or an empty list.
6. `rating`: The star rating of the review, usually near the review title or at the beginning of the review body.
Make sure to extract as many reviews as possible. Ignore content in non-comment areas on the page.
""",
chunk_token_threshold=8000, # Change back to a reasonable chunking threshold
apply_chunking=True, #Chunk large pages
input_format="html",
verbose=True# Enable detailed logs of LLM policy
# 4. Browser settings must be set, especially for websites with strong anti-crawling capabilities.
browser_config = BrowserConfig(
headless=False, # can be set to True to run in the background
java_script_enabled=True, # Ensure JavaScript loads comments
# You can add proxy, user-agent and other configurations to simulate real users and reduce the risk of being blocked.
# user_agent=”Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.124 Safari/537.36″
viewport={“width”: 1280, “height”: 800},
verbose=True# Enable detailed logs of browser configuration
# 5. Crawler configuration
crawler_config = CrawlerRunConfig(
cache_mode=CacheMode.BYPASS,
page_timeout=90000, # Increase the page loading timeout, Amazon pages may be slow
extraction_strategy=strategy,
# Increase the waiting time to ensure that dynamically loaded comment content appears
# Note: crawl4ai currently does not have a direct wait_for_selector or a fine-grained waiting mechanism similar to playwright
# You can control the waiting time indirectly through page_timeout, or consider using playwright to operate directly later.
verbose=True# Enable detailed logs of crawler operations
# 6. Start crawling
result = await crawler.arun(
url=self.url,
config=self.crawler_config,
js_code="window.scrollTo(0, document.body.scrollHeight);",
wait_for="document.querySelector('.loaded')"
Complete crawling
Look at the result, it’s pretty good
In particular, image_url can directly organize image addresses.
The logic of Crawl4ai is that it will first throw all the HTML to AI and then let AI come up with a parsing strategy, and then split it into multiple modules and give them to AI to parse the data one by one.
Here’s a key point: When choosing a model, pay attention to one that supports “big context”
The deepseek v3 I chose at the beginning was too small, so I couldn’t read the entire HTML at first and reported an error.
Later, I switched to gemini-2.5-pro-exp-03-25 and succeeded.
It’s a waste of tokens. You can feel it. I grabbed 24 comments and how much was consumed:
Total consumption: 992,830 (Prompt) + 6,348 (Completion) = 999,178 tokens
if
Calculating the cost of gemini-2.5-pro-preview-03-25, it is about 1.3 US dollars (Gemini helped me calculate it. Fortunately, I am using the free version.)
Summarize
To be honest, RPA is much more effective when it comes to crawlers, but RPA seems to be a false proposition. You need to set up processes, capture elements, design capture logic, etc. A codeless tool will make novices confused and have to learn from scratch.
The more feasible solution for AI crawlers now is based on Cursor and paired with Playwright MCP to develop Crawl4ai scripts.
Although it is not very easy to use now, it may be a very smooth AI crawler experience in the near future.
"After working hard, China Eastern Airlines has arranged a flight (MU7294) from Muscat, the capital of Oman, to Beijing. It is scheduled to take off back to China at 21:55 local time on March 7, Oman. There are still tickets available."
This is an emergency notice issued by the Consular Protection Center of the Ministry of Foreign Affairs on March 7. It was released simultaneously with the notice, as well as ticket purchase channels and the embassy’s consular protection and assistance phone number.
When the US-Israeli coalition launched a surprise attack on Iraq, the Middle East aviation hubs represented by the United Arab Emirates and Qatar were still operating normally. Moreover, the Middle East is an important transit point for European and Asian routes. A large number of passengers transfer from the Middle East to and from Europe and China every day. Therefore, after the sudden outbreak of war and the suspension of flights, a large number of Chinese tourists were stranded in the Middle East, mainly in the United Arab Emirates and Qatar.
In the current round of the US-Israel war, Iran clearly listed the Gulf countries that provide military bases to the United States as targets for attack. The United Arab Emirates and Qatar, which were originally safe zones in previous conflicts in the Middle East, have also become targets of attack. Although Iran's counterattacks are relatively restrained, they are limited to US military bases in the two countries, have high attack accuracy, and do not attack civilian targets. However, the location of the wreckage of the interceptor shot down from the incoming missile was completely random. This also made these two busy Middle Eastern aviation hubs feel the threat of war for the first time.
A schematic diagram of the attacks by both sides in this round of the US-Israel-Iraq war. It can be seen that Qatar, the United Arab Emirates, has rarely become the target of Iranian attacks.
For the large number of stranded Chinese tourists, on the one hand there is an urgent need to return home (many of them are forced to stay in transit), and on the other hand there is the real threat of war. For this reason, the local Chinese Embassy also began emergency coordination, and began the evacuation operation after the intensity of the war dropped significantly. Therefore, there was an emergency notice from the Consular Protection Center of the Ministry of Foreign Affairs at the beginning.
Why should we seize the window period to evacuate?
In this Middle East evacuation operation, the air evacuation rhythms in different regions are also different, and the situation is highly complex. Therefore, after starting the evacuation work, the Ministry of Foreign Affairs immediately issued a reminder to take advantage of the short flight recovery window to seize the time to take flights to evacuate. The Ministry of Foreign Affairs' warning is not alarmist, because the reality is that there are many crises.
Saudi Arabia was the first to initiate evacuation operations. On March 2, Hainan Airlines' flight HU7913 from Haikou to Jeddah, Saudi Arabia, successfully landed in Saudi Arabia and flew back to China on the same day, completing the evacuation of the first batch of stranded passengers. Due to its large land area and multiple airports, Saudi Arabia was less affected by Iran's attack, so it was the first to resume air routes and evacuate stranded passengers.
However, the United Arab Emirates and Qatar were the top targets of Iran's attacks on U.S. overseas bases in the early stages of this war, making the situation more complicated.
The UAE and Qatar themselves have a large number of advanced weapons and air defense equipment, and Iran ranks first in missiles and drones launched by these two countries, making the air defense war particularly fierce. According to Zelensky, in the first three days of the war, more than 800 Patriot anti-aircraft missiles were fired in the Middle East. The air defense forces of Qatar and the United Arab Emirates have not experienced actual combat tests. Once there is a passenger plane in the combat airspace when firing to intercept, there is a high probability of accidental damage.
Therefore, the time window for evacuation flights requires a high degree of coordination with all parties to execute flights at designated times, airspace, and routes. Due to the high degree of uncertainty in the war situation, the airport that was operating one hour ago may have an air defense warning and have to be closed, which makes the time window even more precious.
UAE military launches anti-aircraft missiles to intercept
Take the evacuation charter flight of Air France as an example. The aircraft encountered a dangerous situation while performing the evacuation mission of French citizens from the United Arab Emirates, and happened to encounter a large-scale missile attack in the airspace. The evacuation charter flight that was already loaded with passengers had to return to the United Arab Emirates and find another opportunity to fly back to France. This also illustrates the instability of the situation in the Middle East and the complexity and uncertainty of evacuation operations.
Moreover, the limitations of transportation capacity determine that it cannot meet the immediate needs of all stranded people. After the war broke out, all countries were rushing to transport their own citizens, but due to the impact of the war, transportation capacity was extremely limited. Although China's civil aviation urgently allocates aircraft types and resumes routes, the number of flights is limited due to restrictions on airspace approval, safety assessment, aircraft type allocation, etc., and priority must be given to special groups such as the elderly, the weak, the sick and disabled, women and children.
More importantly, the uncertainty of war and the absolute requirement for safety have further reduced the evacuation space. It can be said that the so-called "designated flights" are scarce resources obtained by the embassy through coordination and efforts. Missing one may mean a longer wait or even greater security risks.
Evacuation operations under fire
Technically speaking, it is extremely difficult to formulate a flight plan for such a war zone evacuation flight. On the one hand, we must consider using uncommon routes to fly around. On the other hand, the war zone is extremely variable, and it is very likely that we will need to hover and wait in the air for a long time, or even make an alternate landing due to force majeure. Therefore, it is not only necessary to have a large amount of reserve fuel, but also for pilots to take unfamiliar routes and be prepared to make alternate landings at unfamiliar airports. We will even encounter special situations such as missile attacks, contact loss, GNSS interference, shootings, etc. This not only tests the quality of the crew, but also tests the support capabilities and even the overall national strength behind it.
The evacuation operations of the United Arab Emirates, Qatar and Saudi Arabia were generally smooth and orderly. As of March 10, tens of thousands of Chinese citizens have been successfully evacuated, and this is inseparable from the efforts of the Chinese embassy and consulates and China Civil Aviation.
Taking Qatar as an example, air routes have never been restored due to its small size and constant threats. This leaves people stranded in Qatar to evacuate by land to relatively safe countries such as Saudi Arabia or Oman, and then return home by plane. During the land transfer process, the Chinese embassy and consulates formed special teams, mobilized a large number of resources and coordinated all parties to complete this complicated transfer process and send the stranded Chinese citizens home.
But this land route was not as easy to walk as imagined. Due to the complex and tense relationship between Saudi Arabia and Qatar, it is not easy to enter Saudi Arabia from Qatar for evacuation by land, and it is also full of unknown risks. It takes eight hours to charter a bus from Doha to Riyadh, Saudi Arabia, and pass through a five-kilometer isolation zone between Qatar and Saudi customs. You must have the assistance of a guarantor holding both Saudi and Qatari visas to pass. Some compatriots were temporarily intercepted by military checkpoints during the transfer, and it took several hours of coordination before they could continue. The evacuation could not be completed without the help of the embassy and people from all walks of life.
A large number of passengers were stranded at Dubai Airport, and Emirates flight crews could also be seen among them.
The essence of education is the persistence of long-termism and the cultivation of professionalism. Qisu English has been focusing on English education for 17 years, with the core system of story word memorization, daily reading, AI-assisted study rooms, and dual paper and electronic learning. With the real results of 111 winter and summer camps in 31 sessions, covering more than 20 provinces and benefiting 40,000 students, Qisu English has become an English brand trusted by thousands of families.
The first major advantage of Qisu English is memorizing words through stories, which solves the root cause of word memorization difficulties. Integrate vocabulary into stories, use scene-based memory and understand, and cooperate with AI anti-forgetting algorithms to remember and use it. Say goodbye to mechanical repetition, making it easier to get started and more interesting.
The second major advantage is the daily reading of new texts, which accurately matches the high school and college entrance examinations. 20,000+ pieces of materials, daily updates, personalized push, integration of listening, speaking, reading and writing, new materials, wide range of topics, accurate test points, can not only quickly improve scores, but also expand horizons, achieving a win-win situation for exam-taking and literacy.
The third major advantage is the AI-assisted study room, creating an efficient closed-loop throughout the process. It integrates vocabulary, reading, speaking, and composition correction, AI assessment + real person 1 to 1 supervision, independent learning is not blind, home learning is effective, and solves the pain points of unattended tutoring and low efficiency.
The fourth major advantage is the dual learning of paper and electricity, which can be flexibly adapted to all scenarios. It is smart and convenient online, solid and practical offline, eye-friendly and efficient, and can be learned anytime and anywhere. It takes into account both technology and tradition, and is suitable for students of different ages and learning habits.
After 17 years of ups and downs, Qisu English has always been "making learning more efficient and improving scores easier" as its mission. From the teaching and research team to the curriculum system, from camp training to daily companionship, every detail reflects professionalism and attentiveness. The 111 winter and summer camps held in the 31st session are a mature model that has been repeatedly polished; covering more than 20 provinces, it is the best proof of word-of-mouth communication; 40,000 students have benefited, which is the most powerful testimony of its effectiveness.
In today's increasingly fierce competition, English proficiency determines the competitiveness for further education and future development. Qisu English uses scientific methods, high-quality content, intelligent technology, and considerate services to help students avoid detours and improve efficiently. Memorizing words through stories, reading new texts every day, learning both paper and electronic content, and being one step ahead of others is not only a slogan, but also the real learning trajectory of thousands of students.
Choosing Qisu English means choosing professionalism, choosing efficiency, and choosing peace of mind. Let children use the right method and follow the right path, grow confidently in English learning, be one step ahead on the road to higher education, use English to light up their lives, and use their strength to achieve their future.
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