Tianyancha shows that Jing Shang Guangqi (Xiamen) Culture Technology Co., Ltd. was recently established. The legal representative is Pei Xiaocong, with a registered capital of 2 million yuan. It is wholly owned by Zigong Haitian Culture Co., Ltd.
At the two sessions in 2026, Jin Dong’s speech instantly ignited the Internet craze.
People's livelihood issues such as medical care and employment were flooding in, but his comment on the short drama instantly overshadowed all the focus. No one thought that this elite professional on the screen would actually hide his trump card for 33 years - far more shocking than any other character. For him, being an actor is just a part-time job that combines his passion. The real value lies in the concepts and actions he adheres to.
As soon as the two sessions in 2026 kicked off, media reporters surrounded Jin Dong and couldn't get through. This is not simply because he is an actor, but as a member of the National Committee of the Chinese People's Political Consultative Conference, every statement he makes goes straight to the core of the issue. When asked what he thought of the short play, Jin Dong spoke calmly, but his words were sonorous and powerful. He admitted that he had never seen short plays and did not think short plays could represent cultural exports overseas. At present, the short drama market is booming, with nearly 700 million domestic users, and Hengdian is even nicknamed a vertical store. Many artists have turned to short dramas to make quick profits with strong plots and fast pace.
Jin Dong's outspoken remarks have attracted criticism from many people who make money from short plays, saying that he is ruining their jobs. However, netizens stood up and praised him for finally seeing the cultural depth that the actor deserves. The controversy has not yet subsided, and reporters asked about the chaos of AI face-changing. Jin Dong frowned, his expression showing obvious anxiety. He admitted that this problem has been around for a long time. AI not only impacts the film and television industry, but also brings real fraud risks.
By 2026, AI face-changing and onomatopoeia technologies will be widely available without any barriers, and a mobile phone will be able to synthesize audio and video that is difficult to distinguish between real and fake. Many artists have encountered infringement, and cases of fake Jin Dong defrauding middle-aged and elderly fans are common. Artists such as Wen Zhengrong and Zhang Kaili have also encountered similar troubles. Jin Dong saw with his own eyes that ordinary people lost their money due to these scams, and his heart was heavy. Unlike most propaganda that only emphasizes staying away from scams, he made more practical suggestions:
Don’t just be afraid, you have to understand it first. He said that he is also learning AI and actively embracing new technologies. Only by understanding the technology can we distinguish authenticity and keep property safe. This suggestion quickly became popular on the Internet, with netizens praising it: Someone should have hit the nail on the head like this. This is not the first time Jin Dong has spoken out for AI face-changing. During the two sessions last year, he called for strengthening the control of AI technology and network platforms, promoting legislative constraints, and making the law a strict curse on AI.
As early as early March, at the opening of the Fourth Session of the 14th National People's Congress, Jin Dong's speech on new popular literature and art was on the hot search list. He called on young people, especially minors, not to be allowed to remain addicted to games and short videos. His speeches caused controversy time and time again, but Jin Dong never cared. He just expressed truthfully what he saw, heard, and researched.
Jin Dong is 50 years old this year. He was born in Jining, Shandong Province. He entered the entertainment industry at the age of 17. When he first entered the industry, he could only play small roles and quietly hone his acting skills. No one was optimistic about it, and no one knew that during those seemingly unknown years, he had quietly planned his main battlefield. Until he was around 40 years old, his role as Ming Lou in "The Pretender" made him famous overnight, and his role as He Han in "The First Half of My Life" made him a well-known national actor, popular all over the country.
The characters he portrays are always calm and upright, and he is dubbed by the audience as the spokesman for veteran cadres. After he became popular, people around him kept urging him to seize the opportunity to accept endorsements and appear on programs, so as to quickly monetize his traffic. But Jin Dong never wavered. He only filmed one or two movies a year and almost disappeared from the public eye the rest of the time. Few people know that in those years that seemed to disappear, he actually devoted himself to the causes that he truly cared about.
For him, acting has never been a tool for making a living, but a side job that combines his passion. He is not keen on hype, nor does he rely on variety shows to make quick money. He even decisively rejects the trend of live streaming to sell goods. This lack of gregariousness is not because he is pretending to be aloof, but because he no longer needs to prove himself as an actor. The calmness in front of the screen comes from the multiple confidences held in the hands behind the back.
Some netizens have seen Jin Dong in "Xinwen Lianbo". He has a neat suit and glasses on the bridge of his nose. He is elegant and calm. In the camera, he carefully read through the meeting materials, looking solemn and full of aura. This is not a cameo, but a real record of him attending an important meeting in an official capacity. Today, Jin Dong is no longer a simple actor, but a member of the National Committee of the Chinese People's Political Consultative Conference. He has been selected into the cultural and artistic circles since 2023 and has the right to participate in industry policy discussions.
As a member of the CPPCC, he never fulfills his duties in name only. In order to find out the truth, he visited 20 cities across the country, investigated 36 notary institutions, and finally compiled a detailed report of more than 100,000 words. His proposal to build a national will library met social needs and was highly recognized by the representatives of the Supreme People's Court. He is concerned about AI technology infringement and the standardized development of the film and television industry, and the proposal he submitted to resist the chaos of traffic supremacy has also received widespread attention. In 2024, Jin Dong was appointed as the leader of the China Coal Mine Art Troupe, a proper department-level cadre.
This position is by no means an honorary title, but carries the mission of inheriting literary and artistic classics and serving the grassroots people. After taking office, he personally planned a number of grassroots condolences performances, promoted the creation of the musical "The Pretender", and led the in-depth rural tour of the drama "The Taste of Warmth". He also brought classic dramas to more than 200 colleges and universities, allowing young people to have close contact with stage plays for the first time, making literature and art no longer limited to urban theaters, but truly reaching the grassroots.
In addition, Jin Dong is also a member of the Central Committee of the Democratic League and deputy chairman of the Beijing Municipal Committee of the Democratic League. This status allows his influence to transcend the entertainment industry and extend to a wider field. At the age of 49, he gained a new identity and was selected as a candidate for the 2025 Sannong Figure. In the past, most of the candidates were grassroots village cadres, agricultural science and technology experts or new farmers returning to their hometowns. However, Jin Dong was selected as a first-line artist, which is a breakthrough in itself. The elites in suits and ties on the screen took root in the Loess Plateau and worked for rural revitalization.
Jin Dong took the lead in establishing a rural literary and art talent incubation platform and invited senior artists in the group to provide free training for rural literary and art enthusiasts. Building bridges with art is the core competitiveness of his selection. The final list of winners of the 2025 Sannong Figures has not yet been announced, but for Jin Dong, whether he wins or not is no longer important, the recognition itself is precious enough.
In addition to being a well-known literary and artistic worker to the public, Jin Dong also has plans in the business field, but always maintains a low profile and pragmatism. His investments cover a variety of industries including information technology, hospitality and catering. In the entire entertainment industry, there are not many artists who take into account performance careers, institutional positions, and business investments at the same time. What is even more rare is that they can always keep a low profile.
Jin Dong did it not through hype, but through hard work step by step. In the entertainment industry dominated by traffic, having many fans and high popularity means the right to speak. However, he jumped out of this circle and focused his energy on serving the masses and promoting the development of the industry. This kind of dedication that is rooted in reality is more weighty than any commercial endorsements and variety show resources.
His existence has also made many artists begin to rethink: what is the true value of an artist. Artists who only know how to hype, lack professionalism, and avoid responsibilities will eventually be eliminated by the market. Only by focusing on polishing your works and assuming social responsibility can you remain popular for a long time.
Jin Dong has used 33 years of low-keyness and persistence to become a breath of fresh air in the entertainment industry. When the traffic bubble dissipates, those who can really stand firm are those who are both capable and responsible like him. Jin Dong like this deserves to be seen, but I don't know how many people in the mainland entertainment industry can keep up with him.
Investors: Will rising oil prices be good for the company’s overseas market opportunities?
Secretary: Thank you for your attention. If crude oil prices remain high, it will be beneficial to the company's overseas market development.
Investors: Faced with the international oil price exceeding US$80/barrel and the uncertainty in the supply chain caused by the geopolitical situation in the Middle East, as the core oil and gas equipment supplier of Sinopec, has the company recently obtained new order breakthroughs in terms of domestic substitution of oil and gas equipment and overseas market expansion? In particular, how will the company's technology patent reserves in high-end equipment fields such as diamond drill bits and fracturing equipment benefit from the high level of capital expenditures for the "three barrels of oil" and the continued advancement of the domestic policy of "increasing reserves and production"?
Secretary: Thank you for your attention. The company's overseas market expansion is progressing in an orderly manner in accordance with the overall strategic plan. The rise in crude oil prices will drive upstream oil companies and oil service companies to increase capital expenditures, which will have a positive impact on the company's product sales.
Investors: Recently, international oil prices have been operating at a high level against the background of intensified geopolitical conflicts. Coupled with the strengthening of domestic energy security strategies, the acceleration of oil and gas reserves and production, and petrochemical machinery, are oilfield equipment companies like this expected to fully benefit from a new round of oil and gas capital expenditure upward cycle, thereby driving order growth, performance release, and forming mid- to long-term positive support for stock prices?
Secretary: Thank you for your attention. As a comprehensive energy equipment research and development company, if the upstream capital expenditure increases, it will have a positive impact on the company's product sales.
Focus of the day
Transaction information summary fund flow
On March 9, the net outflow of main funds was 31.0242 million yuan; the net inflow of hot money was 20.2597 million yuan; the net inflow of retail funds was 10.7645 million yuan.
The above content is compiled by Securities Star based on public information and generated by an AI algorithm (Network Information No. 310104345710301240019) and does not constitute investment advice.
Tianyancha shows that Jing Shang Guangqi (Xiamen) Culture Technology Co., Ltd. was recently established. The legal representative is Pei Xiaocong, with a registered capital of 2 million yuan. It is wholly owned by Zigong Haitian Culture Co., Ltd.
No. Name of shareholder Shareholding ratio 1 Zigong Haitian Culture Co., Ltd. 100%
The business scope includes technical services, technology development, technical consultation, technology exchange, technology transfer, and technology promotion; wholesale of arts and crafts and collectibles (except ivory and its products); organization of cultural and art exchange activities; sales of arts and crafts and ceremonial items (except ivory and its products); manufacturing of arts and crafts and ceremonial items (except ivory and its products); conference and exhibition services (exhibitions abroad must be approved by relevant departments); graphic design; tourism development project planning consultation; tourist attraction management ; Marketing planning; Literary and artistic creation; Commercial complex management services; Consulting and planning services; Information consulting services (excluding licensing information consulting services); Lighting equipment sales; Park management services; Leasing services (excluding licensing leasing services); Digital creative product exhibition and display services; Engineering and technical services (except planning management, survey, design, and supervision); Parking lot services; Landscaping project construction; Information technology consulting services; Digital content production services (excluding publishing and distribution). (Except for projects that require approval according to law, business activities can be carried out independently with a business license and in accordance with the law).
Company name Jing Shang Guangqi (Xiamen) Culture Technology Co., Ltd. Legal representative Pei Xiaocong Registered capital 2 million yuan National standard Industry leasing and business services > Business services > Comprehensive management services Address Unit 1284, Area C, third floor, No. 60, Lianjing Road, Siming District, Xiamen City Type of company Limited liability company (a sole proprietorship of a natural person investing or controlling) Business period 2026-3-9 to no fixed period
During the Spring Festival travel rush, Songjiang Station, a high-speed rail hub, saw heavy passenger flow. Recently, some passengers reported to the Liberation Daily and Shangguan News "People's Voice Express" that they bought a train ticket departing from Songjiang Station. They originally thought that the subway was connected to the station and the ride would be very convenient. However, after experiencing it, they found that "entering the station is comparable to urban parkour": the entrance line signs were unclear and I almost missed the train. A few days ago, reporters came to the station to conduct on-site interviews.
Instructions are contradictory
Songjiang Station is divided into South District and North District. Ticket gates No. 1 and 2 are located in the South District, and ticket gates No. 3-15 are located in the North District. The problem of "difficulty entering the station" reported by passengers mainly occurs in the North District.
When the reporter walked out of the subway station, he was faced with a shopping mall (service center). There were many entry signs at the entrance of the shopping mall and on the ground. However, a closer look at the two signs reveals an obvious contradiction. The ground sign shows "1-2 ticket gate to the left, 3-15 ticket gate to the right", while the standing sign shows "3-15 ticket gate forward to enter the service center, take the elevator to 3F". Here, the reporter met many tourists lingering at the door. After asking, they found out that everyone was hesitant to enter the mall. "I heard that this station is quite convoluted, and I am afraid that if I enter the wrong place, I will not have time to return." Finally, the staff guided these passengers to enter the station through the passage inside the mall.
The "3-15 ticket gate" directions indicated by the ground signs and standing signs are different.
The problem of contradictory signs not only occurs outside shopping malls, but also has similar problems with traffic signs inside shopping malls. For example, in the passage on the first floor of the shopping mall, the hanging light box shows that ticket gate 3-15 is forward, while the sign on the wall shows that ticket gate 3-15 is backward (actually pointing to a barrier-free elevator). There are also many passengers hesitating and wandering here.
The direction of the ticket gate indicated by the sign on the wall next to the escalator is opposite to the direction shown by the hanging sign light board.
Direct elevator is hard to find and can only be detoured
“It took me three rounds of escalators to get to the third floor,” many passengers complained to reporters. It turns out that the central area on the first floor of the shopping mall is the service desk. The escalator is located on the right side facing the service desk, which is very conspicuous. There are also staff guiding the escalator. The reporter stood in the atrium of the shopping mall and looked around. It was difficult to see the direct elevator at a glance, and there were no staff to guide him. A passenger walked around the escalator and couldn't find a direct elevator, so he had no choice but to take the escalator with his luggage.
On social media, many passengers who often take the train at Songjiang Station shared their experience and said: "You are wrong when entering the mall"! Some passengers posted a self-summary "quick entry route" that directs passengers to the direct elevators outside the shopping mall and the ground square of the station. This takes less time than taking the escalator route in the mall. In contrast, this "entry road" in the mall is indeed not convenient for tourists.
The barrier-free elevator in the station ground square can lead directly to the ticket hall.
I ran to the "entrance gate" and found that the door was closed.
After taking the escalator three times to reach the third floor, many passengers were already "short of time", but the "trouble" was not over yet. When passengers dragged their suitcases or carried large and small bags, they rushed to the gate from the shopping mall to the North District entrance. Only after exiting the gate did they realize that they were not facing a security checkpoint, but a closed glass door.
Coming out of the door to the north area on the third floor of the shopping mall, you are faced with a step area. There are signs posted on the steps indicating that "you can enter and take the bus at the entrances on both sides." It seemed that there was still about a hundred meters between the north gate of the shopping mall and the entrance. However, when the passengers rushed to the so-called "entrance", they discovered that the entrances on both sides of the steps were closed. There was a sign on the door that said "please use the side door to enter the station." Among them, there was a door at "entrance 5" that was not sealed with a blue cloth but was installed with a curtain. Many passengers mistakenly thought it was a "side door" and even tried to pull around the door until they found it could not be opened before turning to the side. At this time, they had to walk about 100 meters more to reach the open ticket gate.
There is a sign on the steps that reads "You can enter the station at both sides of the station and take the bus."
The ticket gates on both sides of the actual steps are closed and need to be detoured, and many passengers are lingering in front of the closed doors.
In this regard, many passengers suggested that stations should further clarify their signs and provide guidance on moving routes. If there are multiple routes, they should be clearly marked so that the signs do not become an "obstacle" for passengers entering the station.
In Shu Yong's view, "artificial intelligence + cultural construction" cannot stop at the application level of tools, and cultural workers and artistic creators cannot just be satisfied with using new tools. "In the era of artificial intelligence, we have the responsibility to explore the ethical boundaries of human-machine collaboration, to define what is a good work in the digital age, and to challenge the aesthetic homogeneity that algorithms may bring."
As a creator who actively embraces artificial intelligence, Shu Yong observed that current artistic creation and technological innovation have not yet achieved deep integration, and there is a "two skins" phenomenon. "One common phenomenon is 'technological idleness', which is the excessive pursuit of cool forms; another phenomenon is 'superficial pasting of cultural symbols', which is simply digitizing traditional cultural elements without a deep understanding of their spiritual connotation and historical context, resulting in the production of visual products that appear to be 'national trends' but are actually empty."
Shu Yong believes that strengthening the integration of artificial intelligence and cultural construction should be promoted simultaneously from aspects such as value concepts, creative paradigms to industrial ecology. In terms of industrial ecology, he suggested cultivating new humanistic economic formats such as digital cultural museums, immersive performing arts, smart cultural tourism, and virtual cultural communities, and creating new scenes such as "urban living rooms" and "rural aesthetic spaces" that have both aesthetic functions and cultural connotations.
In Huaihua, Hunan, Shu Yong worked with local villagers to transform a hillside into an installation art exhibition site that tells the "story of the village" using local materials and simple intelligent lighting and sound devices. The creation process of this "rural aesthetic space" inspired the villagers' pride and attracted many tourists. "Promoting economic growth and enhancing cultural confidence is a vivid practice of 'humanistic economics' in rural areas," Shu Yong said.
From using artificial intelligence to "paint a day" to "artistic rural construction" that combines technology and culture, various practices have convinced Shu Yong that in the era of artificial intelligence, the core competitiveness of artists increasingly returns to people. The integration of technology and art lies in "injecting the gene of humanistic spirit into algorithmic logic, thereby continuing to write and create a new chapter on the cornerstone of digital civilization." (over)
(This article is compiled by the public account Yuesheng Fortune (YSLC168888). It is for reference only and does not constitute operation advice. If you operate by yourself, please pay attention to position control and risk at your own risk.)
The purpose of establishment of GEM:
(1) Provide financing channels for high-tech enterprises.
(2) Through market mechanisms, effectively evaluate the value of entrepreneurial assets, promote the combination of knowledge and capital, and promote the development of the knowledge economy.
(3) Provide an "outlet" for venture capital funds, diversify the risks of venture investment, promote a virtuous cycle of high-tech investment, and improve the flow and use efficiency of high-tech investment resources.
(4) Increase the liquidity of innovative enterprise shares, facilitate enterprises to implement equity incentive plans, etc., and encourage employees to participate in enterprise value creation.
(5) Promote the standardized operation of enterprises and establish a modern enterprise system.
How to buy GEM stocks? First of all, everyone should have a certain understanding of GEM through the introduction. Here I want to first explain to all investors: risks. The stock market is a platform for making profits through securities trading. The risk of the stock market lies with investors who enter the stock market, get trapped, and make risky investments. It can be said that the GEM is a stock market with low thresholds, high risks, and strict supervision. It is also a cradle for incubating technology-based and growth-oriented companies. However, for a person who is new to stocks, the risks are quite high.
The GEM is a platform provided by entrepreneurial enterprises, small and medium-sized enterprises and high-tech industrial enterprises. When the macroeconomic prospects are broad and various policies are favorable, the relationship with the main board market should be overall bullish. If the GEM stands out, investors should be wary of risks and focus on short-term investments.
It is always essential to have an objective understanding of risks in the investment market. To buy GEM, you first need to open a GEM account. This is currently a prerequisite. You must first open a Shanghai and Shenzhen account and have been trading for two years before you can open a GEM stock account to buy GEM stocks.
Of course, does that mean that if you have opened a securities account for less than two years, you will not be able to participate in the purchase? Currently, you need to go to the exchange where you opened a securities account and fill in the application form and risk warning letter. Each securities company may be slightly different. There are different risk warning letters for more than two years of stock trading experience and less than two years of stock trading experience. Currently, GEM stock trading is the same as Shenzhen stock trading.
The requirements of the China Securities Regulatory Commission used to be that after opening an account for two years, you must fully understand the risks of GEM and answer the risk questions. It should not be so strict now. But at the end, the editor reminds all investors to treat GEM investment rationally. The more mature GEM market at present is the NASDAQ market in the United States. It is recommended that investors have a deep understanding before entering the current domestic second board market.
Listing procedure
The following procedures should be followed for public issuance and listing of stocks on GEM:
The first step is to restructure the enterprise and establish a joint-stock company.
The second step is to conduct due diligence and guidance on the company.
The third step is to prepare application documents and declare.
The fourth step is to review the application documents.
The fifth step is road show, inquiry and pricing.
The sixth step is issuance and listing.
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