China and the United States hold economic and trade consultations in Paris, France
Produced by iQiyi, Yuewen Film and Television, Xinli TV, and Reverse Mapping, and produced by Carnival Culture Media, it is adapted from Remy's novel "Oldboy". Teng Huatao is the director, Wang Xiaohui is the director producer, Yang Bei is the producer, and Wang Xiaoyan, Liu Wenyang, Ma Hao is the chief producer, Zhang Xinyuan, Wang Shujun, Gao Yuan, and Ji Shi are the new producers, and Nie Chengshuai is the chief screenwriter. The 16-episode human crime drama "Evil" was officially announced today and will be broadcast exclusively on iQiyi Mist Theater on February 23.
The play stars Ren Suxi and Wang Xiao, Cai Wenjing is the guest star, Li Zefeng is the star, Wang Youjun and Dong Qing star, Ye Zuxin, Jie Bing, Lan Xiya, Li Mincheng are guest stars, Yue Yang, Wei Zixin, Yao Yiqi, Wang Daqi, Gao Shuguang starred in the film, as did Zhang Shulun, Zhu Jiaqi, Wang Runze, Ji Xiaofei, Xue Yubin, Gu Yufeng and Xu Guodong, bringing together many powerful actors. The official release trailer and group portrait posters have been simultaneously released recently. The series will be narrated with a small town mystery case, showing the perseverance of law enforcement and the struggles of ordinary people in human crimes, and deeply exploring the topic of the boundary between good and evil to the audience, which is thought-provoking.
The suspicions in the small town reflect complex human nature, and the diverse group portraits present the confrontation between good and evil.
"Eliminate Evil" tells the story of the intricate acquaintance society in the coastal town of Nuanhai Town, which was broken by a bag of drugs that disappeared inexplicably, and a "suicide crime" officially kicked off. Hu Wenjing (played by Ren Suxi), a female detective who is accidentally involved in a drug deal; Cheng Ken (played by Wang Xiao), an ordinary father who wants to save his daughter at any cost; Li Xiaoya (played by Cai Wenjing), an ambitious careerist who wants to escape from small town life; Wang Ping (played by Dong Qing), who is swallowed by drugs and has gone astray; how will the three best friends stage the ultimate tug of friendship and destiny? What kind of storm will the secretive Cheng Xiaodong (played by Li Zefeng) and the ruthless Ding Lai (played by Ye Zuxin) stir up? When the cocoon woven by desire and greed tightly traps everyone, who can truly escape from this battle between justice and humanity?
The trailer for this time starts with the sentence "Do you believe in fate" and asks the soul. The late night corpse burial, ceiling secrets and corridor fights culminate in silent climaxes, allowing the audience to glimpse the evil undercurrent hidden deep in the town. The mirror image confrontation between righteousness and evil between Hu Wenjing, who is searching for the truth, and Cheng Kencheng, who is gradually falling into the abyss, indicates that a game of human nature is quietly going on. As new hallucinogens flow into the town in the form of drinks and candies that are common in daily life, various complex criminal groups emerge one by one. Lucky graduate students, those who preach success, and speculators who want to take shortcuts. A series of immersive documentary shots interweave and capture the shadow of human nature. In the anti-drug war that is advancing at every level, how does every little person survive and make choices? The process from being eroded by drugs to going to murder is horrifying to think about, and the line "Who said drugs must be sold to drug addicts" at the end also leaves room for imagination that is horrifying to think about.
The eight portrait posters released simultaneously show the characters in a striking micro composition, with a shocking style. The poster uses a drug bag as the background and contains characters with different expressions. The intricate positioning clearly reveals the network of acquaintances in the small town where anti-drug and drug trafficking overlap. In the center of the picture, Hu Wenjing's cold, gun-holding gaze reveals determination to get to the bottom of the investigation; Cheng Ken holds pills in his mouth with a calm demeanor, and his simple appearance reveals the madness and helplessness heading towards the abyss; the other characters either stare at temptation, eyes full of desire, or have firm eyes, scrutinizing and contemplating, making this diverse group portrait of the confrontation between good and evil full of story suspense. A drug network is secretly woven in the border town. Although everyone who falls into the abyss of crime has a heart crushed by life, there are complicated motives behind it.
Behind the confrontation between good and evil lies the shocking nature of human crimes, and the vivid and three-dimensional demeanor of the characters also clearly reveals the network of acquaintances in the small town where anti-drug and drug trafficking are intertwined. What kind of ups and downs will unfold in this small town human crime with "the devil is around" is exciting.
The gold medal team builds a solid foundation of quality, and multi-line narrative depicts the overall picture of anti-drugs
An excellent work is inseparable from the ingenuity of the behind-the-scenes team. Liu Wenyang, who has created phenomenal hit dramas such as "The Son-in-law" and "Everyday Life", is the chief producer, and the famous director Teng Huatao, who has directed "Snail House" and "City Within the City", is in charge. A number of masterpieces of realism, which are extremely good at describing the complexity of human nature and observing social expressions; written by Nie Chengshuai, a new generation of powerful screenwriter of "The Basics of Genius", his strong plot and strong logical expression techniques will bring the ultimate immersive experience to the multi-line narrative in the story. The cast adds to the dramatic tension of the characters. Hu Wenjing, played by Ren Suxi, is both a low-level criminal police officer and a single mother. How she balances the challenges from family, workplace and social rules during the anti-drug process has become a major attraction. Cheng Ken, played by Wang Xiao, is curious about how she delicately interprets the character's inner hesitation and struggle and shows the gray areas of human nature when her daughter falls into the abyss of crime. In addition, the addition of acting actors such as Cai Wenjing, Li Zefeng, Wang Youjun, Dong Qing, and Ye Zuxin has given each character a distinctive symbol that is flesh-and-blood and non-facial. I believe that this "strong alliance" behind the scenes team will jointly enhance the quality of the story of "Extermination of Evil".
"When greed arises in a moment, thousands of sins arise." "Eliminating Evil" will take the investigation of the case as the creative theme, and use multi-line narrative techniques to show the police pursuit of the case represented by Hu Wenjing and Jin Longzheng (played by Wang Youjun), and the ordinary people represented by Cheng Ken, Li Xiaoya, and Wang Ping who were pushed into the abyss by fate. Multiple group images are intertwined to form a full picture of human crimes, revealing the struggle of human nature under the dilemma of desire. The play abandons suspended criminal narratives and uses calm, objective yet warm daily expressions to show the damage that drug networks have done to ordinary families and interpersonal relationships. The creative team uses a perspective close to public life to polish the anti-drug story into a crime story that directly touches human nature, with both realistic concerns and social significance. The different choices of each character in the play on the edge of good and evil also let people see behind this small town ecological picture, the lofty spirit of grassroots police officers who adhere to their duties and missions and are not afraid of sacrifice. They break through the single perspective of traditional criminal investigation dramas and use diverse expressions to explore the new value of crime themes.
When the battle between good and evil in a small town quietly begins, how will people on the edge of good and evil find a way out? How will this anti-drug game about human crimes unfold? The human crime drama "Extermination of Evil" will be launched at the iQiyi Mist Theater on February 23. We look forward to seeing you in Nuanhai Town.
Survey report on middle school English classroom teaching
In today's society, reports are no longer a rare thing. When we write reports, we must avoid being too long. Does procrastination and laziness come back as soon as you hear about writing a report? The following is a survey report on middle school English classroom teaching compiled by the editor for you. I hope it will be helpful to you.
Survey report on middle school English classroom teaching 1
The middle school is a window school of the city. Since its establishment, with the joint efforts of leaders and all staff, the school has achieved leaps and bounds in all aspects. But in the past three years, with the rise of brothers, English, as a key subject in middle schools, has faced severe tests, and its leading position is shaking. In order to further improve the quality of English classroom teaching and improve English teaching results, with the strong support of school leaders, the school’s English teaching and research group conducted an in-depth investigation of the English classroom teaching situation, as follows
1. The purpose and significance of the investigation.
Purpose: To understand common problems and related situations in students' English learning, and to understand students' evaluation and opinions on the quality of teaching.
Significance: Help teachers improve teaching, improve teaching quality, provide decision-making basis for teaching management, and then provide important reference materials for improving classroom teaching.
2. Investigation objects.
1,800 students in 30 classes of grade 7893 in a middle school
3. Time and place of inspection.
4. Investigation methods.
This survey is a questionnaire survey. Student questionnaires are distributed uniformly during class meetings and collected on site. A total of 1,800 questionnaires were sent out and 1,780 questionnaires were returned throughout the school, with the recovery rates being 98% and 88% respectively.
5. Investigation content
It mainly investigates students' teaching attitudes, teaching methods, teaching content and teacher-student relationship. A total of 30 multiple-choice questions were asked to students in the questionnaire. (See Appendix 1)
6. Survey results and analysis
I counted the questionnaire results in the table below, analyzed them in chunks, and found out the existing problems.
(1) Teaching attitude
Let's focus on questions 1 and 3. The first question mentioned the main purpose of teachers in English classroom teaching. Most students chose options B and C, with the proportions being 39%, 6% and 52% respectively. It shows that teachers have a very accurate grasp of the purpose of teaching in teaching activities. To a large extent, it means that the direction is right and they must have enough confidence in themselves. The third sub-item is that most students choose C and D when organizing teaching, the proportions are 20%, 7% and 50%, 2% respectively. That is to say, C’s teaching link is imperfect, has many loopholes, large blank time, unplanned teaching link, and improper time arrangement. This shows that the problem we have is in the organization of classroom teaching. The classroom is the main battlefield. Losing the classroom means absolute failure. This puts forward the most critical and important requirement for our future teaching, which is to start working hard in the classroom.
(2) Teaching methods
The following focuses on questions nine and ten. The ninth item is usually the English teacher's choice of C in the use of teaching methods, that is, the teaching method is single and mainly focused on teacher lectures, with scores of 41% and 9% respectively. This shows that we still lack teaching methods, cannot use teaching methods flexibly, and cannot fully mobilize students' enthusiasm for learning. The tenth child is usually an English teacher. Many students choose D in terms of teaching methods, that is, they use multimedia-assisted teaching unreasonably and abuse courseware. Every English teacher is equipped with various teaching courseware, including practice courseware, especially courseware from "English Weekly". Although there are abundant teaching resources, it is not necessary to use them all. The abuse of courseware will not only solve the problems existing in traditional classroom teaching, but also cause teachers to lose their teaching ability and students to lose interest in listening.
(3) Teaching content
Item 16. In your opinion, the probability of choosing C in the selection of teaching content is 46% and 6%, that is, the teaching content and examples are outdated, divorced from real life, boring, and almost account for the average level of students. Most of the English teachers in the city's second-level schools have been engaged in education for many years. Although they are very dedicated, they may be very busy at work and do not have the time or energy to accept new ideas and knowledge. The 18th sub-item is: Do you think that 37% and 5% of teachers usually choose C when guiding students’ learning activities. The answer is that they mainly focus on students’ individual learning status and pay less attention to cooperative learning? This actually shows once again that in order to reform the teaching organization form, group mutual aid is urgent. The 23rd sub-item is: In classroom teaching, some students choose B to select teaching examples or examples, that is, they usually choose examples from the textbook, and occasionally add some exciting examples, the proportion is 36%. Although the proportion is not high, it should still be relatively high on this issue. Once again, it shows the obsolescence of teachers’ teaching methods and knowledge. The 26th sub-item is: Teachers provide guidance in self-study classes. Students choose B more often, that is, they often use self-study classes to give too many lectures, which takes up students' time, with the proportions of 52% and 7% respectively. This is a number that cannot be ignored, accounting for more than half of the total, which shows that teachers occupying students’ time is a big problem. Self-study classes are designed to give students time to think independently, discover their own problems, and tutor their weak subjects. If English teachers take up too much self-study time for students, not only will they not improve their academic performance, they will even make students resent English learning, which may be counterproductive.
(4) Teacher-student relationship
Let's focus on item 29. Question 29: Do you think teachers inspire you or your classmates to learn and be confident in class? 48% and 9% chose C, and the answer is: generally. From this perspective, teachers cannot fully cultivate students' learning self-confidence in class, and their motivational role is not fully exerted, which once again reduces students' interest in English classes. This is also the first very important issue that we should pay attention to in English classroom teaching in the future. To some extent, the teacher-student relationship determines the quality of teaching. I hope teachers can correct their views, live in harmony with students, build a harmonious classroom, and let students learn with laughter.
7. Investigation experience
Through this survey, teachers in the English teaching and research group discovered many common problems, which will play an extremely important role in future English teaching and provide important reference materials for improving classroom teaching. To this end, measures and methods to solve the problem are summarized:
1. Strengthen collective lesson preparation. Comprehensively implement the group mutual aid learning model. The traditional teaching organization model can no longer be used in the classroom. Return the class to the students and let them fully express themselves and show themselves in class.
2. Courseware and other self-arranged teaching aids must be used selectively. In addition to listening materials, uniform group mutual aid learning cases must be used, and the use of other auxiliary teaching resources and materials shall not exceed 5 minutes per class.
3. Listen more, watch more, and communicate more about popular teaching lectures. Teachers should use their spare time and other time to learn more new knowledge and new things, update their concepts, and input fresh information. It is recommended that schools organize English teachers to study and exchange in other places.
4. Self-study classes do not allow any teacher to help students or teach new knowledge in any form. All teachers except the head teacher are prohibited from entering the classroom.
Survey Report on Middle School English Classroom Teaching 2
Since the establishment of the school, with the joint efforts of the leaders and all faculty and staff, the school has achieved leapfrog development in all aspects. In order to further improve the quality of English classroom teaching and improve English teaching results, with the strong support of the school leaders, the school’s English teaching and research group conducted an in-depth investigation into the situation of English classroom teaching. The details are as follows
1. The purpose and significance of the investigation.
Purpose: To understand the common problems and related situations of students' English learning, and to understand students' evaluation and opinions on the quality of teaching.
Significance: Help teachers improve teaching, improve teaching quality, provide decision-making basis for teaching management, and then provide important reference materials for improving classroom teaching.
2. Investigation objects.
There are 1,800 students in thirty classes in grades 7, 8, and 9 in a middle school.
3. Time and place of investigation.
4. Investigation methods.
This survey adopted a questionnaire survey. Student questionnaires are distributed uniformly during class meetings and collected on the spot. A total of 1,800 questionnaires were sent out across the school, and 1,780 were returned, with a recovery rate of 98.88%.
5. Investigation content
It mainly investigated students' teaching attitudes towards teachers, teaching methods, teaching content and teacher-student relationship. The questionnaire asked students a total of 30 multiple-choice questions. (See Appendix 1)
Six: Survey results and analysis
I have summarized the results of the questionnaire survey in the table below and analyzed them in sections to find out the existing problems.
(1) Teaching attitude
Let’s focus on questions 1 and 3. Question 1 mentioned what is the main purpose of teachers in English classroom teaching. Most students chose options B and C, with the percentages being 39, 6% and 52% respectively. This shows that teachers have a very accurate grasp of the purpose of teaching in teaching activities. This shows that in a big way, the direction is right and we must have enough confidence in ourselves. The third question is that when English teachers organize teaching, most students choose C and D. The ratios are 20.7% and 50.2% respectively. That is, the teaching link of C is imperfect, with many loopholes, large blank time, unplanned teaching links, and improper time arrangement. This shows that the problem we have is in the organization of classroom teaching. The classroom is the main battlefield. Losing the classroom means absolute failure. This puts forward the most critical and important requirement for our future teaching, which is to work hard in the classroom.
(2) Teaching methods
Let’s focus on questions 9 and 10. Question 9 is about the use of teaching methods by English teachers in daily life. The most common choice is item C, that is, the teaching method is single, focusing on the teacher's teaching and following the textbook, which accounts for 41.9% of the score. This shows that we are still lacking in teaching methods, cannot use teaching methods flexibly, and cannot fully mobilize students' enthusiasm for learning. Question 10 is about the teaching methods used by English teachers. Many students choose D, which is the unreasonable use of multimedia-assisted teaching and the abuse of courseware. Every English teacher has a variety of teaching courseware, including exercise courseware, especially the courseware from "English Weekly", and everyone has a copy. Although teaching resources are abundant, it is not necessary to use them all. Abuse of courseware will not only not solve the problems existing in traditional classroom teaching, but will also cause teachers to lose their teaching ability and students to lose interest in listening.
(3) Teaching content
Question 16. Do you think that when teachers choose teaching content, the probability of choosing C is 46.6%, that is, the teaching content and examples are outdated, divorced from real life, boring, and account for almost the average student. Most of the English teachers in the Municipal Secondary School have been engaged in education for many years. Although they are very dedicated, they may be busy with work and have no time and energy to accept new ideas and new knowledge. Question 18 is: Do you think teachers usually guide students’ learning activities? 37.5% of the respondents chose C. The answer is that they mainly focus on students’ individual learning status and pay less attention to cooperative learning. This actually illustrates once again the need to reform the teaching organization form, and group mutual assistance is urgent. Question 23 is: In classroom teaching, when teachers choose teaching examples or examples, some students chose B, that is, they generally choose examples from textbooks and occasionally add some exciting examples. The rate is 36%. Although the proportion is not high, it should still be relatively high on this issue. This once again illustrates the obsolescence of teachers’ teaching methods and the obsolescence of teachers’ knowledge. Question 26 is: When teachers provide tutoring in self-study classes, students most often choose B, that is, they often use self-study classes to teach and take up too much of students' time, with a ratio of 52.7%. This is a number that cannot be ignored, accounting for more than half, which shows that teachers occupying students' time is a big problem. Self-study classes are meant to give students time to think independently, time to discover their own problems, and remediate their weak subjects. If English teachers take up too much of students' self-study time, not only will they not improve their academic performance, but they will even become disgusted with English learning, which may be counterproductive.
(4) Teacher-student relationship
Let’s focus on question 29. Question 29 is: Do you think the teacher inspires you or your classmates’ learning and self-confidence in class? 48.9% chose C, and the answer is: average. From this point of view, teachers cannot fully cultivate students' self-confidence in learning in the classroom.
Injured shareholders can go to the Sina Shareholder Rights Protection Platform to register for the company's rights protection: http://wq.finance.sina.com.cn/ Follow @Sina Securities, follow Sina Brokerage Funds on WeChat, search for Sina Shareholder Rights Protection on Baidu, visit Sina Finance Client, and you can find me on the homepage of Sina Finance
On the evening of March 13, 2026, Shuangliang Energy Saving (rights protection) System Co., Ltd. (stock code: 600481, securities abbreviation: Shuangliang Energy Saving) issued the "Announcement on the Controlling Shareholder's Receipt of the Notice of Case Filing from the China Securities Regulatory Commission." Because the company's controlling shareholder Shuangliang Group Co., Ltd. was suspected of illegal activities such as misleading statements in information disclosure, the China Securities Regulatory Commission decided to open a case against the company's controlling shareholder in accordance with the Securities Law of the People's Republic of China, the Administrative Punishment Law of the People's Republic of China and other laws and regulations.
The company stated that the matters filed against Shuangliang Group Co., Ltd. this time are related to the company's misleading statements in information disclosure on February 27, 2026 and other illegal and illegal matters filed. It is a continuation of the previous matter and will not have an impact on the production and operation activities of the company and its subsidiaries. The company's operations are all normal.
Li Jian, a lawyer from Zhejiang Yufeng Law Firm who has represented investors in lawsuits against more than 130 listed companies and received compensation, said that according to the relevant case filing announcement, Shuangliang Energy Saving and its controlling shareholder were suspected of securities misrepresentation, and injured investors can claim compensation according to law. (Lawyer Li Jian’s column)
It is worth noting that on February 12, 2026, the Shanghai Stock Exchange issued the "Decision on Supervisory Warnings on Shuangliang Energy Saving System Co., Ltd. and relevant responsible persons."
According to the Supreme People's Court's Judicial Interpretation of Misrepresentation, if listed companies, controlling shareholders, etc. cause losses to investors' rights due to misrepresentation of securities, investors can sue for compensation in accordance with the law. The scope of claims includes investment difference losses, commissions, and stamp duty losses.
"The judicial interpretation has canceled the preliminary procedures. Based on preliminary evidence such as the announcement of the filing of the case, investors can also sue for compensation." Lawyer Li Jian said that according to the judicial interpretation, it is tentatively decided that damaged shareholders who bought Shuangliang Energy Saving stocks from 13:25 on February 12, 2026 to the closing of the day, and still held the stock at the closing of the day, can claim compensation according to law. The conditions for claiming compensation are subject to the determination of the court. (Shuangliang Energy Saving Rights Protection Entrance)
Investors seeking compensation must provide securities account opening information inquiry form, stock statement (from the date of first purchase of the stock to present), contact information, etc.
[This article was contributed by lawyer Li Jian of Zhejiang Yufeng Law Firm and does not represent the position of Sina Finance. Lawyer Li Jian is a director of the Securities Law Research Association of the China Law Society and a securities dispute mediator of the Securities Association of China. In 2009, he was awarded the title of “Outstanding Young Lawyer of Zhejiang Province”. Since 2003, Lawyer Li Jian has represented investors in lawsuits against more than 130 listed companies such as Wuliangye and Dazhizhi and obtained compensation, with remarkable results. Among them, the Xiangyuan Culture and Zhao Wei cases were selected as the top ten commercial cases of the People's Court in 2019, the Hangxiao Steel Structure (Rights Protection) case was selected as the "Top Ten Mediation Cases of National Courts" in 2012, the Huifeng Shares case was the first general representative case in securities disputes in Jiangsu Province, and the Oriental Electronics case was the first securities civil compensation case in China. Lawyer Li Jian has been interviewed by more than 100 news media including CCTV, Xinhua News Agency, Securities Times, Securities Daily, China Securities Journal, People's Court Daily, China Business News and more than 1,000 times. Practice certificate number: 13301200210145176)]
The Spring Festival is a traditional festival for family reunion, and it is also a golden moment when youth culture and folk rituals collide. During the Spring Festival of the Year of the Horse in 2026, Kuaishou will use the two core activities of the 2D New Year Party and the Comic Exhibition Grand Stage to create an online and offline Kuaishou 2D New Year Party. It will use voice actor feasts, Chinese-style golden songs, live comic exhibition scenes, and COS shows to present an exclusive "electronic New Year's Eve dinner" to 2D users, redefining the sense of the 2D New Year ritual with youthful expressions.
The 2D New Year Party kicks off: Voice actors and national style double circles link up, innovative mechanisms ignite the carnival
At 8pm on February 1st, the Kuaishou 2D New Year Party will be broadcast on time. The live broadcast gathers the "national team" from the dubbing circle and half of the ancient style circle to create an immersive cross-dimensional carnival in the form of team PK + fun interaction + welfare bombing. The total number of viewers of the live broadcast reached 60 million+, and related topics were on the site's hot list 50 times. The barrage and like interaction continued to increase, and it was called "the Spring Festival Gala in the second dimension" by users.
This Chinese New Year Party is a top-notch lineup, with 12 top-notch guests covering national voice actors, national style singers and new generation dubbing actors. Jiang Guangtao, Ji Guanlin, Zhang Zhen and other senior voice actors are here, Li Changchao, Yin Lin, Audio Monster, Xiao Yiqing Alex, Er Aunt (Cai Yisheng) and other ancient style celebrities contribute their voices, Koi, Unlucky Death Le, Yuan Mingzhe, Sun Lu Popular CVs of the new generation such as Lu have joined, realizing the first large-scale linkage between the dubbing circle and the ancient style circle. Users left comments saying, "My favorite voice actors and singers are in the same frame. The picture I had imagined before has come true in Kuaishou."
In terms of program mechanism, Kuaishou breaks out of the conventional party framework and reconstructs the viewing experience with strong interaction, gamification, and a sense of competition. The event adopts the "Two Teams PK" mode, with Yuan Mingzhe leading the horse-catching team, Koi taking charge of the Shenma team, and Zhang Zhen serving as the organizer and assistant officer throughout the whole process. Each round starts with "Guest Guess", which continues to increase the audience's sense of involvement from voice display, talent competition to fun activities.
The content design also accurately hits the core preferences of the second dimension: Chinese style golden songs, "Tomb Robbers' Notes: Ten Years in the World", "Warden", "Koi Chao", "It's the Wind", "Not a Hero" and "Nezha" The divine songs of other circles are sung in turn, awakening the collective feelings; in the voice actor interaction session, famous scenes such as Jiang Guangtao and Yuan Mingzhe's blind box dubbing, 6 consecutive koi coquetry, 6 consecutive unlucky strangulations, facial expression dubbing challenges and other famous scenes, the professional strength and funny contrast coexist. The live broadcast is interspersed with high-frequency red envelope showers, likes PK, and golden egg smashing benefits. It combines the traditional custom of "lucky money" with the fun of two-dimensional card drawing, allowing the audience to continue to receive surprises in addition to audio-visual enjoyment.
Multi-dimensional communication has also made the New Year’s Party more popular. The topic #Kuaishou2DNew Year Party# has received over 8 billion views, and topics such as #张贞organized the 2D New Year Party# and #全KuaiShou Yingzhuan 2D New Year Party# have topped the trending list. Kuaishou experts such as @chuxindiao and @tanglida spontaneously supported the event, and guests such as Jiang Guangtao and Ji Guanlin interacted in person, creating a resonance inside and outside the site, making this dimensional feast successfully break through the circle.
New Year Comic Exhibition big stage relay: online and offline real-life scenes at the same frequency, unlocking a new comic exhibition experience
The popularity of the 2D New Year's Fair has not diminished, and the New Year Comic Exhibition stage was immediately launched online, landing on IJOY, the largest comic exhibition brand in North China, bringing a New Year carnival that is watchable, interactive, and immersive for 2D enthusiasts. This is not a simple platform exhibition, but Kuaishou moved the live broadcast room into the comic exhibition venue, using several hours of ultra-long live broadcast and high-density stage content to turn the offline comic exhibition into a physical site of online barrage, allowing users who cannot be present to visit the exhibition immersively.
The grand stage of this comic exhibition is precisely arranged in terms of guest lineup, gathering three types of high-quality creators to fully meet user expectations. There are top experts in the two-dimensional circle, as well as comic show hosts who are experienced and can pick up jokes, and special COSER to enliven the atmosphere. There are also a group of COSER with good appearance and high degree of reproduction to support the tone of the stage, ensuring both professionalism and enjoyment.
The event adopts the confrontation mode of "defending team VS kicking team", with outstanding highlights and constant laughter throughout the event. In the talent competition, the clown Bingbing recreated the famous apple-eating scene, and Kawano Hana performed the "horse pole" dance routine, which easily ignited the enthusiasm of the audience. In the Nian Beast game, Si Yue and Dou Ni compete fiercely against Mai Mang, and the duel between Yue Chen and Kono Hana is high-energy throughout, conveying the excitement of the offline stage to the online audience simultaneously. During the horse-catching competition, Heixiazi and Jie Yuchen’s classic characters interacted live. Famous scenes were staged one after another. The atmosphere was lively and online barrages kept flooding the screen.
Real-time live broadcast footage breaks the restrictions of regions and scenes, and also spreads the popularity and vitality of offline comic exhibitions to the entire network. Topics such as #KuaishouComicCon Grand Stage Fairy Lineup#, #Konohua Comic Exhibition Grand Stage Skin Thawing#, #IJOY Comic Exhibition Guests Collectively Entering Kuaishou# have been on the hot list, and a large number of users have left messages such as "The online exhibition is so fragrant" and "I can see enough of the characters I want to see at once."
Deeply cultivate the dimensional ecology: use love as a bridge to build an integrated online and offline cultural field
Data shows that Kuaishou ACG has more than 200 million daily active users, and Generation Z accounts for more than 85%. It is a large and energetic young group. The platform uses the sincerity and tolerance of "old iron culture" to connect with the emotional core of the two-dimensional "power generation for love", allowing circle culture to grow healthily on the national platform.
The success of Kuaishou’s two-dimensional New Year’s Party series is not an accidental outbreak of single-point activities, but the inevitable result of the platform’s long-term deep cultivation in the two-dimensional field and precise service to circle users. Kuaishou continues to focus on two-dimensional core elements such as COSER, voice actors, comic exhibitions, and Chinese style music, and has embarked on a differentiated two-dimensional operation path from content supply, scene construction to ecological co-construction.
On the one hand, Kuaishou accurately grasps the needs of two-dimensional users who value professionalism, love the circle, and have strong resonance. It invites the national dubbing team, top ancient style, and leading COSER to join, using professional content to win the recognition of the circle, and using fun interactions to strengthen emotional connections. Different from traditional parties, Kuaishou's two-dimensional activities are always user-centered, turning "viewing rights" into "participation rights" and "content output" into "cultural co-creation", allowing users to truly have a sense of belonging.
On the other hand, Kuaishou continues to connect online traffic and offline scenes, and has cooperated with more than ten leading comic exhibitions such as Firefly, CP, ChinaJoy, and IJOY, transforming the high-concentration dimensional scene of comic exhibitions into an organic extension of the platform ecology. The number of views of the topic "Kuaishou at the Comic Exhibition" exceeded 1.66 billion, proving that Kuaishou has become the core position of offline activities for 2D users. From the live broadcast of Hatsune Miku's exclusive concert, to the official entry of My Little Pony, to the cross-border variety show between intangible cultural heritage and Dimension IP, Kuaishou continues to improve the Dimension content layout, covering the full range of virtual idols, Chinese comics, dubbing, Chinese style, and offline exhibitions.
With the official conclusion of the Kuaishou 2D New Year Party, this cross-dimensional Spring Festival feast for young people has come to a successful conclusion. From the Chinese New Year party where voice actors and actresses share the Chinese style, to the comic exhibition stage where online and offline collaborations occur, Kuaishou uses innovative forms, top-notch content, and in-depth operations to create exclusive festival rituals for two-dimensional users, and also provides a new sample for the integration of youth culture and the traditional Spring Festival.
According to Observer.com news on March 12, Bloomberg reported that after U.S. President Trump announced that he would visit China at the end of this month, the soybean procurement issue is likely to be included in the agenda of the next meeting between Chinese and U.S. trade officials. U.S. Treasury Secretary Bessent, Trade Representative Greer and Chinese officials are expected to meet in Paris this weekend to prepare for Trump's visit to China.
However, the current problem is that after China fully fulfilled its purchase commitment of 12 million tons, its purchase commitment to U.S. soybeans has stalled. Traders expect that Chinese buyers may wait until September when the new season of U.S. soybeans becomes available and prices are more advantageous before resuming purchases.
U.S. soybeans
Susan Stroud, an analyst at No Bull Ag, an agricultural analysis agency, said: More than ten days have passed in March, and we have not seen any soybean purchases from China that express goodwill. This has also appeared in previous negotiations.
Why not buy it? China has a strong balance in its heart
Sino-US soybean trade is a commercial activity, and commercial activities tend to pay more attention to factors such as procurement costs. It is currently the peak soybean harvest season in the southern hemisphere. Brazil, the largest seller of soybeans purchased by China, has sufficient supply and low prices. The current FOB price at Santos Port is US$420.09 per ton. Obviously, this is a better choice for Chinese buyers.
In contrast, U.S. soybeans have no advantage. The FOB price at the Port of New Orleans is US$461.23 per ton. Not only are they more expensive, but they also face a 13% tariff. These disadvantages of U.S. soybeans have inhibited the willingness of Chinese buyers to purchase.
Brazilian soybeans are shipped out of the port
Taking a step back, China's purchase commitment of 12 million tons is the result of consultations between the China-US trade teams. Since China has fully completed the purchase volume, why bother with US soybeans? It can only be said that the United States is greedy and always thinks that without American soybeans, China has no other choice.
When doing business, we always pay attention to shopping around. When China has completed its purchase commitment to the United States, there is nothing wrong with buying soybeans from other sellers. You can't say that if China doesn't buy from the United States, it will buy and sell by force, right? What's more, U.S. soybeans themselves have no advantages, and Chinese buyers turning to other sellers is in line with market rules.
If the United States really wants to do business with China, it must at least improve the competitiveness of U.S. soybeans at the commercial level, such as lowering prices and removing tariffs. It wants to sell soybeans to China without paying. There is no such business in the world.
Trump imposes tariffs
The account of geopolitics
Of course, we all know that the Sino-US soybean trade is more driven by political factors, so the United States’ hope of continuing to urge China to purchase is pinned on Trump’s visit to China and clearing sales channels for American soybeans through diplomatic dialogue.
However, at this critical juncture, the United States still wants to buy and sell by force. U.S. Trade Representative Greer launched a new round of "301 investigations" on Wednesday, including China. On the one hand, this move is the Trump administration's preparation for continuing to maintain tariffs. On the other hand, it is looking for bargaining chips for its visit to China.
Because for Trump, the United States is at a disadvantage in the Middle East, and there are not many ways to restrain China in trade, and the "Taiwan card" is not easy to play. He can only use empty branding methods to create bargaining chips, otherwise he will not even have the capital to exchange for China's purchase of American soybeans.
trump
According to Trump's statement in February, he hopes that China's purchases will be increased to 20 million tons this season. However, 11 days have passed in March, and Chinese buyers have not bought any. This has become a trump card for China's negotiations. You must know the basics of Trump and the Republican Party. U.S. soybean farmers account for a large proportion. If Trump cannot persuade China to continue purchasing, the Republican Party will face big problems in the mid-term elections.
The United States has its demands, and China certainly has its own concerns. Trump must retreat on issues involving China's core interests, including stopping arms sales to Taiwan, stopping collusion with "Taiwan independence" separatist forces, and obstructing China's reunification process.
As for the new round of "301 investigation", it actually poses no threat to China, and it is unlikely to be a card in the negotiations during Trump's visit to China. The reason is that if the Sino-US trade truce consensus is not to be destroyed, the Trump administration must act with caution. What has happened in the past has proven that China is never afraid of a trade war with the United States.
besant
China and the United States have different negotiating positions
In fact, many people have discovered that the United States focuses almost all of Trump's visit to China on trade, such as the soybean trade mentioned above and Bessant's promotion of China's purchase of Boeing aircraft. However, China's focus is not all on trade issues. It also hopes to solve political issues urgently related to Sino-US relations.
During the previous high-level phone calls between China and the United States, China focused on the issue of arms sales to Taiwan. So during Trump's visit to China, there is a high probability that China and the United States will have a fierce game over the Taiwan issue. China will not tolerate the United States continuing to cause trouble. If Trump is willing to do good business with China, he must temper his stance on the Taiwan issue, otherwise it will be difficult to reach any specific content.
However, judging from the current situation, the Trump administration still has some luck and is trying to use the "Taiwan card" to create bargaining chips. The United States recently sent a letter of acceptance to Taiwan's "defense department" for the delivery of the "Haimas" multiple rocket launcher system. On March 11, a US military P-8A Poseidon maritime patrol aircraft flew over the Taiwan Strait. All these prove that the United States has great ambitions.
P-8A
However, this is not a big problem. The balance of power between China and the United States in the West Pacific is the decisive factor in the game. If the United States is unwilling to give up the policy of "using Taiwan to contain China", it can challenge China's tough stance of "not sparing a war."
The costume romance drama "Jianghu Yeyu Ten Years of Lights" recently released its final trailer and will officially premiere at 12:00 on February 22. The play is adapted from the novel of the same name by Caring for Zeluan, produced by Tencent Video and Xinguang Pictures, directed by Lu Hao Jiji, directed by Guo Feng, written by Shao Sihan, and starring Zhou Yiran and Bao Shangen. It tells the story of the young master of the Demon Cult, Mu Qingyan (played by Zhou Yiran), and the upright heroine Cai Zhao (played by Bao Shangen) who work together to uncover the grievances of the previous generation.
The "young man" who pursues the right path with his sword enters the game with his own body
When the young man's spirit collides with the world, a passionate transformation of good and evil begins. In the final trailer, the initial camp of the young hero couple Mu Qingyan and Cai Zhao was outlined in a few words, instantly igniting the audience's expectations.
The young master of the Demon Sect, Mu Qingyan (played by Zhou Yiran), smashed the fig leaf of the righteous way with one sentence, "The righteous way always says to do justice for heaven, but what they call heaven has never tolerated the justice of the Mu family." His eyes showed dissatisfaction, unwillingness, and disbelief in fate, which cleared up the resentment that had accumulated in his heart for many years. And Cai Zhao (played by Bao Shang'en), who grew up under the Zheng sect, was once a firm believer in "those who act chivalrously and righteously should kill all those who belong to the demon sect". His energy as a newborn calf who is not afraid of tigers is just like a young man's purest persistence for justice. At that time, one of them was walking alone in the darkness, and the other was holding a sword in the light. They looked at each other from a distance across the vast ravines of the rivers and lakes.
People's minds are unpredictable and the truth is repeated. As the two experienced the baptism of the rivers and lakes, "Mumu Zhaozhao" discovered that the "dichotomy between good and evil" learned in his youth was far from enough to explain the world in front of him - the so-called right path may not always be bright; there are also people in the devil's sect who can be trusted. They don’t believe the lies passed down from generation to generation, and they don’t recognize the boundaries drawn by the camps. People are unpredictable? Then fight your way out. The truth is being concealed? Then split a ray of light. The young people chose not to follow blindly. They decided to overturn the card table of their fathers and carve out the word "righteous way" again with one sword and one sword.
Together, the group portraits open up the "atypical" world of rivers and lakes
In addition, what stands between Mu Qingyan and Cai Zhao is not only the conflict of ideas, but also an old incident that happened more than 20 years ago - the death of Cai Zhao's aunt, which is inextricably linked to the Mu family. This past is like an invisible net, binding the two people to the larger world. The grievances of the older generation have not yet been resolved, and the game of the younger generation has begun.
Actors such as Yu Ka-shing, Fan Jingyi, Bian Tianyang, Duan Yu, Yan Yuchen, Yuan Wenkang, Li Yuan, Jing Chao, Lu Shan, Sheng Yilun, Wan Peng, Li Yunrui and other actors jointly outline a spectrum of characters in the world where good and evil are intertwined and intergenerational entanglements. Some people cling to old grudges, some try to break free from the shackles, some have been secretly plotting for years, and some just seek peace of mind in troubled times. Mu Qingyan and Cai Zhao are involved in this. They are both pawns in the game between various forces. In the process of approaching the truth, they are gradually looking for their own way to break the situation.
Visually, the costumes in the play refer to the style of the Wei and Jin Dynasties, with wide robes and wide sleeves, eliminating complexity and keeping it simple. The elegant and free-spirited style not only fits the characters' temperament in troubled times but still maintains their integrity, but also uses a cold and sparse aesthetic tone to reflect the spiritual background of young people who still retain a clear heart in the turbulent world. Just as the core of the drama expresses, when the external labels and constraints are stripped away layer by layer, and everyone no longer judges right and wrong based on their origins in the "Devil Cult" or the "Six Sects", then what is the real world? Perhaps the answer lies not in the admonitions of the elders, but in the way young people break out on their own.
The play will be broadcast on Tencent Video and iQiyi at 12 o'clock on February 22. What twists and turns will Mu Qingyan and Cai Zhao experience in their two-way journey to break through the identity barrier and overcome their old grudges? How many unresolved past events and human choices are buried under the camp of good and evil? Let us wait for the reveal of the series together.
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